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Hana Brejchová

A review and pictures of actress Hana Brejchová naked in "Nejkrásnejsí vek".
Hana Brejchová

Born: 1946   Country: Czechoslovakia

A striking blonde who became the muse of more than one Czech New Wave director, before going on to an indifferent career playing much frumpier roles.


Filmography

Lásky jedné plavovlásky (Milos Forman, Czechoslovakia, 1965) (as Andula aged 19)

Grajski biki (Joze Pogacnik, Yugoslavia, 1967) (as Marija aged 21)

Zirafa v okne (Radim Cvrcek, Czechoslovakia, 1968) (as Milena aged 22)

Jak se zbavit Helenky (Václav Gajer, Czechoslovakia, 1968) (as hlasatelka Marcelka aged 22)

# Nejkrásnejsí vek (Jaroslav Papousek, Czechoslovakia, 1969) (featuring Hana Brejchová as Vránová aged 23) ✭ ✭ ✭ ✭ ✭

with Jan Stöckl, Josef Sebánek, Vladimír Smeral, Jirí Sýkora, Milada Jezková, Ladislav Jakim, Vera Kresadlová, Milan Kríz, O. Marcin, B. Zemanek, Jirí Hálek and Ladislav Adam

Hana Brejchová in Nejkrásnejsí vek

Young mother Hana is engaged as a sculpture model in this Czech New Wave comedy. With such a stunner the Art Institute was prepared to compromise on crèche facilities. The first-time model is understandably self-conscious; what makes it worse is that pretentious professor droning on and on without letting the students settle down and get some work done.

Trouble arrives in the shape of Hana's husband, jealous of the amount of attention given to the precise dimensions of his young wife's buttocks. That night tensions erupt into a domestic tiff in which both parties strip naked.

The director has a sculptor's eye for Hana's body; not surprising as he once studied in just such a studio apparently. But there's one fleshy attribute only an absolute genius sculptor can capture: wobble. Hence the career change no doubt.

Tags: art-model, bashful, black-and-white, domestic, objectified, tearful, undressing

Clip

Nejkrásnejsí vek Nejkrásnejsí vek Nejkrásnejsí vek Nejkrásnejsí vek Nejkrásnejsí vek

À quelques jours près (Yves Ciampi, France, 1969) (as Kveta aged 23)

Po stopách krve (Petr Schulhoff, Czechoslovakia, 1970) (as hostinská Vlasta Veselá aged 24)

'Já to tedy beru, séfe...!' (Petr Schulhoff, Czechoslovakia, 1978) (as Anicka aged 32)

Adéla jeste nevecerela (Oldrich Lipský, Czechoslovakia, 1978) (as Madam 3 aged 32)

Kanka do pohádky (Ota Koval, Czechoslovakia, 1981) (aged 35)

Láska na druhý pohled (Ladislav Rychman, Czechoslovakia, 1981) (as Clerkess aged 35)

Velké prání (Vojtech Trapl, Czechoslovakia, 1981) (aged 35)

Mateji, proc te holky nechtejí? (Milan Muchna, Czechoslovakia, 1981) (as Cupalová aged 35)

Má láska s Jakubem (Václav Matejka, Czechoslovakia, 1982) (as Ucitelka aged 36)

Andel s dáblem v tele (Václav Matejka, Czechoslovakia, 1984) (as clenka Armády spásy aged 38)

Amadeus (Milos Forman, USA, 1984) (as Czechoslovakian Actor aged 38)

Evo, vdej se! (Jaroslava Vosmiková, Czechoslovakia, 1984) (as Hodková aged 38)

Bitva za Moskvu (Yuriy Ozerov, Soviet Union, 1985) (as Crying women 2 aged 39)

Vyhrávat potichu (Drahomíra Králová, Czechoslovakia, 1986) (as Pétova maminka aged 40)

Zastihla me noc (Juraj Herz, Czechoslovakia, 1986) (as Bozka aged 40)

Nebo být zabit (Martin Hollý, Czechoslovakia, 1986) (as Prisoner aged 40)

Vázení prátelé, ano (Dusan Klein, Czechoslovakia, 1989) (aged 43)

Byli jsme to my? (Antonín Mása, Czechoslovakia, 1991) (aged 45)

Divoké pivo (Milan Muchna, Czech Republic, 1995) (aged 49)


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