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Reviews and pictures of actress Patrícia Scalvi naked in "Profissão Mulher", "Duas Estranhas Mulheres", "O Convite ao Prazer", and 6 more titles.
Born: 1954 Country: Brazil
One of the best actresses of the Brazilian pornochanchada genre. Certainly not the prettiest, with her big nose, and big feet, but Patricia was the one called for when extra screen presence and dramatic range was needed. She specialised in giving off an aura of smouldering resentment, and made the perfect rebellious inmate for a woman's prison. More recently she's been a leading voiceover artist for big Hollywood names.
Mr. Skin has a page for Patrícia - click here for more of her pics & clips!
O Paraíso Proibido (Carlos Reichenbach, Brazil, 1971) (as Júlia aged 17)
# Presídio de Mulheres Violentadas (Brazil, 1977) (featuring Patrícia Scalvi aged 23) ✭ ✭ ✭ ✭ ✭
This is a WiP-flick from Brazil, directed by Oswaldo de Oliveira who soon after brought us the classic Bare Behind Bars (1980). Unfortunately it is only available in an Italian version with tasteless inserts which are very jarring, especially in the clip below.
Patricia takes the innocent new prisoner role - these films all seem to have exactly the same plot. In this clip we witness her induction, along with another woman, enhanced by ominous 'spaghetti western' style music. Meiry Vieira is the older wardress who almost gets her fingers inside the vulnerable girl's knickers before the cut to the insert.
Dezenove Mulheres e Um Homem (David Cardoso, Brazil, 1977) (aged 23)
Noite em Chamas (Jean Garret, Brazil, 1977) (aged 23)
# Ninfas Diabólicas (John Doo, Brazil, 1978) (featuring Patrícia Scalvi as Circe aged 24) ✭ ✭ ✭ ✭ ✭
Who could possibly resist Patricia in a school uniform? With glasses too. And even braces on her teeth! (Might just be fillings actually, the picture isn't very good.)
She and hitchhiking pal Aldine Muller are picked up by a middle-aged family man and spirited away to a lonely tropical beachhouse. This complacent geezer might like to think he is in control of any situation involving himself and two naive nymphettes, but what he doesn't know is that these girls share an intimate telepathic bond which is at its strongest when they are either partially clothed or frigging themselves.
So this out-of-shape man (Sérgio Hingst), at the risk of spraining an ankle, races the girl into the jungle and to the waterfall. Of course our Patti wins, and claims her prize: she gets to strip off first while he has to stand and watch like a voyeuristic old creep. Someone on the set ought to have reminded her to leave her glasses till last, but like many sexually precocious girls she thinks she knows it all.
The screencaps tell the rest of the story. Patricia makes a very nice water nymph indeed. Watch Hingst try to slip in a sly spank on the bottom only for her to wriggle out of his grasp.
Reformatório das Depravadas (Ody Fraga, Brazil, 1978) (aged 24)
As Amantes Latinas (Luiz Castellini, Brazil, 1978) (aged 24)
Tara - Prazeres Proibidos (Luiz Castellini, Brazil, 1979) (aged 25)
O Caçador de Esmeraldas (Oswaldo de Oliveira, Brazil, 1979) (as Ana de Garcia Paes aged 25)
Sexo Selvagem (Ary Fernandes, Brazil, 1979) (aged 25)
# A Noite das Taras (Brazil, 1980) (featuring Patrícia Scalvi as Cibele Marcondes aged 26) ✭ ✭ ✭ ✭ ✭
From part one of a popular three part compilation. Here Patricia plays a desperate drug addict on the verge of suicide. It's strange how shameful it is to be caught in the act of self murder even at the best of times, so think how much worse it must be for Patricia naked in the bath.
# Corpo Devasso (Alfredo Sternheim, Brazil, 1980) (featuring Patrícia Scalvi aged 26) ✭ ✭ ✭ ✭ ✭
Os Indecentes (Antonio Meliande, Brazil, 1980) (aged 26)
# Bacanal (Antonio Meliande, Brazil, 1980) (featuring Patrícia Scalvi aged 26) ✭ ✭ ✭ ✭ ✭
A long-drawn-out 'female hostages stripped at gunpoint' scene from this lively pornochanchada. Patricia has just got back from making passionate love with Nadia Destro when the pair are pounced on by a gang of armed thugs. Aldine Muller and Alvamar Taddei are naked already (I mentioned it was a lively one). One at a time they are to be taken to the bedroom and raped. 'Only one at a time', shrugs Nadia as she's the first to be led away, 'you guys got heart conditions or something?'
I've cut most of the 'rape' scenes out for being too long, poorly lit, and boring, but couldn't resist a 'snatch' of hungriness featuring Nadia. In an unrelated vignette Misaki Tanaka is with John Herbert, the perfect gentleman as always. Meanwhile the most greasily enthusiastic of the gang is breaking rule number one of psycho-sexual warfare: never point a loaded gun at a woman's crotch, it's such a confession of impotence you might as well stencil 'I am a penisless man' on your tee-shirt.
I was impressed by the spontaneous way Patricia appointed herself unofficial spokeswoman. If anyone can see the girls through this crisis it's level-headed Patti. Just look at her body language: conciliatory without being craven, you can why her companions turn to her so naturally for leadership. The more I see of this girl the more I like.
# Orgia das Taras (Luiz Castellini, Brazil, 1980) (featuring Patrícia Scalvi as Silvia aged 26) ✭ ✭ ✭ ✭ ✭
with Matilde Mastrangi, Flávio Porto, Lu Martan, Sérgio Hingst, André Lopes, Celina de Castro, Isa Mark, Pericles Campos, Noelle Pinne and Eleu Salvador
One of those crap 'adult thriller' type things from Brazil starring Patrícia (billed above Matilde Mastrangi no less) under the direction of her husband Luiz Castellini. Since Patti is a particular favourite I've often wondered what it would be like to be married to her myself. I've come to no firmer conclusion than that my work would suffer. Why? Because I'd spend all day idly clock-watching, impatient to get home for some more quality time with my beloved Patrícia. But that wouldn't apply if you were a film director would it?
But there are other dangers. If you were truly besotted with Patti you might indulge yourself in the mistake of casting her to dance enigmatically to the title music as Castellini has done here. There's a form of dancing, considered unique to the older male, involving moves so ill-chosen and clumsily executed that it has become so universally despised as to not even need a particularly insulting epithet: it's called 'dad dancing'. This sequence must be the young female equivalent; we'll have to call it 'niece dancing'.
The plot is the usual boring toss peppered with sex scenes not worth noting. Patti's bear-like husband is trying to make a younger, handsomer chap jealous enough to get him into serious bother. But is he crazy?! That guy's been drinking, and he's got a gun! And he looks like Patrick Mower!! This cannot end well...
O Fotógrafo (Jean Garret, Brazil, 1980) (aged 26)
# O Convite ao Prazer (Walter Hugo Khouri, Brazil, 1980) (featuring Patrícia Scalvi aged 26) ✭ ✭ ✭ ✭ ✭
Patricia is resigned to not being the main attraction in this scene but is determined to make the most of it anyway. She's brought along Nicole Puzzi as a treat for the boss, while she herself will be paired with the boss's best friend.
It's all good clean fun at first, Patti suggesting a pants-chase game followed by a pillow fight. But it won't stay clean fun for long if this man has his way; he's notorious for his liking for anal sodomy. The way to deal with these tendencies is to clamp down right away. And when a girl like Patti clamps down the poor guy doesn't stand a chance!
# Duas Estranhas Mulheres (Jair Correia, Brazil, 1981) (featuring Patrícia Scalvi as Diana (Diana) aged 27) ✭ ✭ ✭ ✭ ✭
One of those things where we begin with the heroine being interrogated in a police cell. It's a hint in advance that maybe she's a bit of a wrong 'un, but if it turns out the saintly Patti really did kill somebody after all I reckon she'll have a pretty good excuse lined up. And as events transpire indeed she does.
Patricia had fallen in with a handsome and sophisticated chap, a bar owner too, who alternated passionate sex with midnight anal rapes and hair-trigger domestic beatings. He seemed to have a problem with her not preparing his food properly and sipping from the whisky bottle behind his back.
At least it was good sex while it lasted, as you will see especially in the third clip, where our man is clearly not lacking in vigour and imagination, and also not backward in 'doing his bit'. This scene by the way was a red-roses-laden 'making up' call after one or other of the beatings. As you will see a distraught Patricia had rather let 'herself go', lounging around the house in trackies and a council house facelift (her look was ahead of its time).
Pornô! (Brazil, 1981) (as Maria Helena aged 27)
Como Faturar a Mulher do Próximo (José Miziara, Brazil, 1981) (aged 27)
Eros, O Deus do Amor (Walter Hugo Khouri, Brazil, 1981) (aged 27)
A Reencarnação do Sexo (Luiz Castellini, Brazil, 1982) (as Patrícia aged 28)
Escrava do Desejo (John Doo, Brazil, 1982) (as Vivian aged 28)
Ousadia (Brazil, 1982) (as (A Peça) aged 28)
Amor, Palavra Prostituta (Carlos Reichenbach, Brazil, 1982) (as Rita aged 28)
Viúvas Eróticas (Brazil, 1982) (aged 28)
Tessa, a Gata (John Herbert, Brazil, 1982) (as Débora aged 28)
A Mulher-Serpente e a Flor (J. Marreco, Brazil, 1983) (aged 29)
Doce Delírio (Manoel Paiva, Brazil, 1983) (aged 29)
Sexo Animal (Fauzi Mansur, Brazil, 1983) (aged 29)
Meus Filhos, Minha Vida S01E01: Episode #1.1 (1984) (aged 30)
# Profissão Mulher (Cláudio Cunha, Brazil, 1984) (featuring Patrícia Scalvi aged 30) ✭ ✭ ✭ ✭ ✭
with Simone Carvalho, Otávio Augusto, Mário Cardoso, Wilma Dias, Maurício do Valle, Celso Faria, Lady Francisco, Marlene, Cláudio Marzo and Fábio Mássimo
One of her best roles (and worst haircuts), Patricia works in advertising in this semi-serious late period pornochanchada. So it goes with the territory that she's an alcoholic in the habit of allowing random latin hunks to take her back to their hotel rooms. She finds love is so much simpler when she's passed out drunk. I can't help thinking she could have made a better choice of partner this time. Just getting her pants down takes half his strength and all his ingenuity.
But in the second half of the scene he redeems himself somewhat. Unwilling to make love to an unconscious woman he tries one of those 'semi-consensual' things (much in the news nowadays) beginning with a glass of water flung in the lady's face. Hmm.
Skipping a 'talky' scene, to end a great night out the pair have it off in a fountain in downtown Rio just as the first rays of dawn are edging over the horizon. When the gentleman has finished up Patricia is still slitching herself senseless up against the statuary. But Patti sweetheart, ever get the feeling someone is pushing you away with their eyes? Ever got that 'I'm not with you' vibe? Ever wondered, in short, whether it's time to go home? In its way this episode is quite romantic. Oh, and don't miss Patricia's bubble bath scene with Simone Carvalho
Elite Devassa (Luiz Castellini, Brazil, 1984) (aged 30)
Instinto Devasso (Luiz Castellini, Brazil, 1985) (aged 31)
Eternidade (Quirino Simões, Brazil, 1992) (as Lacretelle aged 38)
Want more? Mr. Skin has a page for Patrícia - click here for more of her pics & clips!
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