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Reviews and pictures of actress Lynn Endersson naked in "Las alumnas de madame Olga", "El último pecado de la burguesía" and "Porno: Situación límite".
An obscure Spanish starlet whose relatively long career of stripping in exploitation flicks continued even through her plain and dumpy years.
Un vaso de whisky (Julio Coll, 1959)
Un mundo para m (José Antonio de la Loma, 1959)
Charlestón (Tulio Demicheli, 1959) (as Luisa)
Llama un tal Esteban (Pedro Luis Ramírez, 1960)
El amor empieza en sábado (Victorio Aguado, 1961)
El mujeriego (Francisco Pérez-Dolz, 1964)
Señora casada necesita joven bien dotado (Juan Xiol, 1971) (as Line)
Los farsantes del amor (Juan Xiol, 1972)
Tarzán y el misterio de la selva (Miguel Iglesias, 1973) (as Odalisca de Herlan)
El precio del aborto (Juan Xiol, 1975) (as Lin)
El hombre perseguido por un O.V.N.I (Juan Carlos Olaria, 1976) (as Carol)
Sexy... amor y fantasía (Juan Xiol, 1977) (as Piluca)
# El último pecado de la burguesía (Enrique Guevara, Spain, 1978) (featuring Lynn Endersson as Nieves) ✭ ✭ ✭ ✭ ✭
with Raquel Evans, David Rocha, Mir Ferry, Nacho Santiagosa, Eva Llorca and José María Santiesteban
Lynn stars in this naïvely charming piece of fluff as a middle-aged lady who one day drives out of Madrid with a headache and over the border to France. There she picks up free-spirited hitchhiker Raquel Evans. The girl had been waiting a surprisingly long time; no doubt other motorists had twigged her for a soft porn star straight away and passed her up as a 'hot potato'. But matronly Lynn wouldn't recognise a soft porn star even if she kissed her neck, giggled, and pulled her pants down.
Soon the pair have rented a room in a charming farmhouse and Raquel has set to work on an uninvited makeover, ridding Lynn of those frowsy clothes she'd been giving those dirty looks to from the passenger seat of the car. And - uh-oh! - the new look is to be without underwear. Lynn barely has time for a fleeting 'fed-up' gesture before her bra is off, and for an ambivalent little squeal as her knickers are tugged down and casually tossed aside. After a fun day's sightseeing the two girls tuck up in bed in the nude together; handy for big hugs when you wake up screaming from nightmares of yourself lying in coffins in the buff.
It's not long before Lynn is ready to open up to Raquel about her love life. It turns out she'd had one of those really crap wedding nights where everything seemed to go wrong - presumably what that stuff about coffins was all in aid of. So the two make love (Raquel had a lesbian scene with Mireia Ros in Jill from the same director which was similar but had much better art direction).
In search of more carefree adventure the girls go skinny-dipping with a handsome chap they picked up on the beach. Lynn is shy to start with but is soon as nude as Raquel and helping her rip the bags off the fun-loving young fisher-fellow. After a quick splash the trio scamper off to a ruined church and - goodness don't things move fast when you're on holiday! - partake in a bizarre three-way marriage ceremony dressed only in gauzy robes before stripping once more for a honeymoon frolic in the water meadows. They're serious about this wedding business by the way, but hold your laughs, something even sillier happens later on.
Jill (Enrique Guevara, 1978) (as Natalia de Sousa)
Venus de fuego (Germán Lorente, 1978) (as Prostituta)
Cariño mío, ¿qué me has hecho (Enrique Guevara, 1979) (as Rosa)
Un permiso para ligar (Enrique Guevara, 1980) (as Lynn)
El consenso (Javier Aguirre, 1980) (as La Guada)
Pasión prohibida (Amando de Ossorio, 1980) (as Leonor)
# Las alumnas de madame Olga (José Ramón Larraz, 1981) (featuring Lynn Endersson as Betty) ✭ ✭ ✭ ✭ ✭
Dull erotica set in London in which Spanish director Larraz shows any handsome devils watching at home how to go about seducing a desperate old bag. "Don't fill the silence" seems to be his advice; don't even twirl your moustache. Ignoring the cream cakes on the nipples and going straight to "doing" her against the door jamb seems to be the methodology to employ.
Actually the snub to Lynn's delicious buns is probably down to mildly Francoesque muddle and disorder typical of the director's later films. Listen to how chappie brushes aside a compliment by saying his brain is out of whack. Larraz wrote as well as directed this one, and dialogue can be very revealing.
Qué puñetera familia (Martín Garrido Ramis, 1981) (as Mujer de la playa)
Orgasmo caliente (Enrique Guevara, 1981) (as Ivonne)
El sexo está loco (Jesús Franco, 1981) (as Various characters)
Objetivo: sexo (1981)
# Porno: Situación límite (Manuel Esteba, Spain, 1982) (featuring Lynn Endersson as Carolina de Vega) ✭ ✭ ✭ ✭ ✭
Lynn and Carmen Serret are swapping cherries by mouth in the hotel bar. An unsubtle hint their passion will heat up even more once they retire to their room. And sure enough it does. Kissing on the lips (in the nude). Sixty-nine. Humping (taking it in turns to be on top). Full-on lesbianism basically.
But this is a tacky rape-gang 'thriller', so the action doesn't end there. In bursts a sicko with a balaclava and a handgun, and Carmen is tying up Lynn with the cord from the blinds before she can say 'Oi, I thought we were supposed to be friends!'. If the younger woman was hoping to ingratiate herself she is sorely mistaken. Extreme nastiness with a handgun is her reward. Meanwhile Lynn gets urinated upon, perhaps a hint she should think about retiring. Afterwards the pair are bundled into the lobby for the blackmail photographs - the light was better down there or something.
Entre paréntesis (1982) (as Prostituta)
En busca del polvo perdido (Enrique Guevara, 1982) (as Guadalupe)
Las calientes orgías de una virgen (Antoni Verdaguer, 1983) (as Madre de Armando)
Los locos, locos carrozas (Francesc Herrera, 1984) (as Lina)
Yo, 'El Vaquilla (1985)
Crónica sentimental en rojo (Francisco Rovira Beleta, 1986) (as Dueña de la Pensión Real)
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