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Reviews and pictures of actress Marli Mendes naked in "Tentação na Cama" and "As Seis Mulheres de Adão ".
Brazilian model and occasional pornochanchada actress with more than a hint of the exotic and oriental about her.
Delícias do Sexo (Carlos Imperial, Brazil, 1980)
Viva o Gordo (Brazil, 1981)
Mulheres... Mulheres (Carlos Imperial, Brazil, 1981)
# As Seis Mulheres de Adão (David Cardoso, Brazil, 1982) (featuring Marli Mendes)
We've already seen some of David Cardoso's shenanigans with the opposite sex in this pornochanchada, Sandra Graffi being the lovely young lady on the receiving end. Now it's comeuppance time. Marli, in charge of this little wronged-women's evening get-together, has handcuffed the lothario to some cast-iron railings and is paying attention to his trouser front area with sharp scissors and a cut-throat razor. Uncomfortable to watch, especially since said trouser front area is inhabited by something that looks like that toad Carole Chauvet picked up in Una spirale di nebbia.
It's good to find you still have friends left even when you're on your uppers, and the other women actually walk out in disgust. Marli carries on regardless, Hell having no fury like a woman scorned and all that, peeling slowly and rubbing herself against the offending member in the hope her razor blade will be able to find a better purchase. You'll see one of the kitchen maids (Fátima Celebrini) getting carried away as well. Needless to say this vengeful lady doesn't get away with it, our hero's faithful manservant arriving just in the nick of time.
Etéia, a Extraterrestre em Sua Aventura no Rio (Roberto Mauro, Brazil, 1983)
# Tentação na Cama (Ody Fraga, Brazil, 1984) (featuring Marli Mendes)
with Alvamar Taddei, David Cardoso Jr., David Cardoso, Tallyta Cardoso, Alcides Casari, Milton Donara, Rodrigo Farias, Dannys Fraga, Reginaldo Luiz and Simone Magalhães Matos
David Cardoso is laid up with a broken leg in Ody Fraga's comic take on the film noir genre. Marli is another seductress (see Alvamar Taddei for the first) tasked with extracting the secret of the macguffin's location from the temporarily mobility impaired businessman's possession.
I presumed it was his mother looking on warily from the doorway, but what kind of mother would allow her son to be seen in such threadbare 'I think they'll stand just one more wash' underpants? Whoever she is, the woman is unshockable. Dumbstruck by the couple's energy perhaps, plaster-cast and crutches no barrier.
A Doutora é Boa Paca (Brazil, 1984)
Femmine in fuga (Michele Massimo Tarantini, Italy, 1985)
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