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Reviews and pictures of actress Cristina Aché naked in "Chuvas de Verão", "Guerra Conjugal", "Amor Bandido", and 1 more title.
Born: 1957 Country: Brazil
Moderately successful Brazilian brunette who, despite the sophisticated roles she played, tended to radiate a certain gaucheness, as if she'd never quite got used to the idea of wearing make-up.
Cristina's stills gallery
Os primeiros Momentos (Pedro Camargo, Brazil, 1973) (aged 16)
O Filho do Chefão (Victor Lima, Brazil, 1974) (aged 17)
Nem Os Bruxos Escapam (Valdi Ercolani, Brazil, 1975) (as Isabel aged 18)
Quem Tem Medo de Lobisomem? (Reginaldo Faria, Brazil, 1975) (as Sílvia aged 18)
As Deliciosas Traições do Amor (Brazil, 1975) (as i (Dois é Bom Quatro é Melhor) aged 18)
Vejo a Lua no Céu S00E00: Episode dated 9 February 1976 (1976) (as Catarina aged 19)
Padre Cícero (Helder Martins de Moraes, Brazil, 1976) (aged 19)
# Guerra Conjugal (Joaquim Pedro de Andrade, Brazil, 1983) (featuring Cristina Aché as Neusa aged 26) ✭ ✭ ✭ ✭ ✭
with Ítala Nandi, Lima Duarte, Joffre Soares, Carmem Silva, Carlos Gregório, Analú Prestes, Carlos Kroeber, Dirce Migliaccio, Elza Gomes, Maria Lúcia Dahl, Oswaldo Louzada and Lutero Luiz
Our man kicked a dog just before this clip starts. Yep, that marker of craven villainy so clichéd you never actually see it, and he went and gone and did it. This Brazilian black comedy is a heavily perverse look at dysfunctional domestic situations.
So what else does this loathsome creep (he really looks the part in those glasses) get up to then? Molesting orphan blind girls? Actually he's one rung of the ladder of sexual predator self-esteem above that; instead he molests orphan girls with blind grandmothers. They're still vulnerable, with the bonus of conniving in their own exploitation through hunger for a taste of independence.
Contos Eróticos (Brazil, 1977) (as i (Vereda tropical) aged 20)
Mulheres de Cinema (Ana Maria Magalhães, Brazil, 1978) (as Herself aged 21)
Ciranda, Cirandinha S01E03: Sonhou, Tá Sonhado (1978) (as Patrícia aged 21)
Batalha dos Guararapes (Paulo Thiago, Brazil, 1978) (aged 21)
# Amor Bandido (Bruno Barreto, Brazil, 1982) (featuring Cristina Aché as Sandra aged 25) ✭ ✭ ✭ ✭ ✭
with Paulo Gracindo, Paulo Guarnieri, Ligia Diniz, Flávio São Thiago, Hélio Ary, Vinícius Salvatori, José Dumont, Roberto Husbands, Ana Maria Miranda, Luis Antonio, Alvimar Aparecida and Carlos Augusto
A vivid and intriguing take on the Bonnie and Clyde theme set in Rio. Not even in contemporary Italian cinema was there so much crossover between the popular action and romantic genres and outright sleaze as in Brazilian films. The industry struggled with low budgets, location shooting, and little backup in the way of music and effects. Barreto was one of the more gifted directors and conjours up some striking imagery of the urban jungle early on, but soon turns the focus on what his country does best: gruesome hypocrisy and sexual transgression amongst the bourgeoisie.
It's not clear what the relationship is between Cristina, a stripper, and the handsome young lad (Paulo Guarnieri) who breaks into her flat. She's sitting on her bed in the nude shaving her legs at the time. Apparently they've only seen each other in photographs before (porny ones of her secreted amongst his Disney comics). They straight away share the short-tempered and spiteful intimacy of brother and sister, so I for one am happy to run with that for now. There's a battle for control of a safety razor where the boy strips naked and the girl's towel slips aside again, he jumps on top and... thank goodness for that, a knock at the door! Shame for us upholders of righteousness it's Cristina's father though...
Said father is a grizzled police inspector, almost estranged from his daughter, who as mentioned is a stripper. But disapproval of his little darling's occupation doesn't stop the man frequenting her nightclub. The film opens with him on the edge of his seat - and even out of it - watching a lesbian double-act, pelvic thrusts and all; he must have been so proud it was his girl on top. Tacked straight on is a later strip scene, this time it's the adoring eyes of her young lover glued to Cristina's skinny and small-breasted young figure.
When it came to sex scenes it was quite common for Brazilian films to waver unselfconsciously now and again over the limits of acceptability, whether it was mainstream or softcore fare. The third clip is a conventional noirish love scene, but quite long, and with a telling moment at the beginning when her lover tries to slide a hand towards Cristina's sex, she pushing it away only to move her own fingers there in its place. You can't help wondering whether it was in the script. By the time of the fourth clip things are much more passionate, both physically and stylistically unrestrained, the couple banging away oblivious to Cristina's detective father pictured leading the manhunt for them on the TV in the background.
# Chuvas de Verão (Carlos Diegues, Brazil, 1980) (featuring Cristina Aché as Lurdinha aged 23) ✭ ✭ ✭ ✭ ✭
with Zaira Zambelli, Joffre Soares, Míriam Pires, Roberto Bonfim, Daniel Filho, Marieta Severo, Rodolfo Arena, Sadi Cabral, Paulo César Peréio, Lourdes Mayer, Gracinda Freire and Luis Antonio
Melancholy Brazilian drama about a blameless old soul who retires to his dream house only to find it squatted by all sorts of ne'er-do-wells. I'm reminded of Robin Bailey in Sorry I'm a Stranger Here Myself, though the consequences here are, by intention, less obviously hilarious.
Cristina is the live-in maid, a skinny girl with poor posture. Not that that's a complaint, but you do want to shake her sometimes; she basically slouches her way through the entire film. In this scene we see the kindly old gentleman spying on the girl and her fiancé (one of the principal ne'er-do-wells) having sex on a mattress on the floor. Of course in a better organised production it would be the maid herself clutching at her pudenda from the doorway, and even then I tend to find these set-ups a little unappealing. This way round it seems downright squalid, but then later-life sexuality is one of the themes of the film...
Plumas & Paetês (Brazil, 1980) (aged 23)
Os sete Gatinhos (Neville de Almeida, Brazil, 1980) (as Silene aged 23)
O Amor É Nosso (Brazil, 1981) (aged 24)
O Homem do Pau-Brasil (Joaquim Pedro de Andrade, Brazil, 1982) (as Dorothéia aged 25)
Caso Especial S00E00: A Idade Sem Razão (José Carlos Pieri, 1983) (aged 26)
# Noites do Sertão (Carlos Alberto Prates Correia, Brazil, 1984) (featuring Cristina Aché as Lalinha aged 27) ✭ ✭ ✭ ✭ ✭
with Débora Bloch, Carlos Kroeber, Carlos Wilson, Tony Ramos, Sura Berditchevsky, Milton Nascimento, Maria Sílvia, Maria Alves, Alvaro Freire, Antônio Grassi, Ruy Polanah and Hileana Menezes
Steamy period romance set on a farm out in the wilds of Brazil. Abandoned wife Cristina, still young and sensuous, has been causing a stir by 'seeing too much of one person' as they used to say back in the 'fifties. Namely Débora Bloch, but that's another story. In this clip her increasingly provocative use of her sexuality has attracted the ire of her father, a man who will be able to pull off the 'biblical patriarch' look just as soon as the last hairs in his beard turn grey.
Estrela Nua (Brazil, 1984) (aged 27)
Agüenta, Coração (Reginaldo Faria, Brazil, 1984) (as Janete aged 27)
Areias Escaldantes (Francisco de Paula, Brazil, 1985) (aged 28)
Noite (Gilberto Loureiro, Brazil, 1985) (aged 28)
Novo Amor (Brazil, 1986) (as Teresa aged 29)
Pacto de Sangue S00E00: Episode dated 8 May 1989 (1989) (as Isabel aged 32)
O Judeu (Jom Tob Azulay, Portugal, 1996) (as Leonor de Carvalho aged 39)
Doces Poderes (Lúcia Murat, Brazil, 1997) (as Journalist-Paraná aged 40)
Brava Gente Brasileira (Lúcia Murat, Brazil, 2000) (aged 43)
Minha Vida em Suas Mãos (José Antonio Garcia, Brazil, 2001) (as Ana aged 44)
Quase Dois Irmãos (Lúcia Murat, Brazil, 2004) (as Miguel s wife aged 47)
Encarnação do Demônio (José Mojica Marins, Brazil, 2008) (as Lucy Pontes aged 51)
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