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Reviews and pictures of actress Ítala Nandi naked in "O Homem do Pau-Brasil" and "Amor e Traição".
Born: 1942 Country: Brazil
An elegant, handsome and willowy brunette, she cornered the market in frustrated housewives.
Melodia Fatal (Walter Avancini, Brazil, 1964) (as Clarice aged 22)
O Bandido da Luz Vermelha (Rogério Sganzerla, Brazil, 1968) (aged 26)
América do Sexo (Flávio Moreira da Costa, Brazil, 1969) (aged 27)
Pindorama (Arnaldo Jabor, Brazil, 1970) (as Sofia aged 28)
Juliana do Amor Perdido (Sérgio Ricardo, Brazil, 1970) (aged 28)
Roleta Russa (Bráulio Pedroso, Brazil, 1972) (aged 30)
Os homens Que Eu Tive (Tereza Trautman, Brazil, 1973) (as Bia aged 31)
Sagarana, o Duelo (Paulo Thiago, Brazil, 1974) (as Mariana aged 32)
Os deuses E Os Mortos (Ruy Guerra, Brazil, 1974) (as Sereno aged 32)
A Cartomante (Marcos Farias, Brazil, 1974) (as Rita aged 32)
Pecado na Sacristia (Miguel Borges, Brazil, 1975) (as Donha Elza aged 33)
Noite Sem Homem (Renato Neumann, Brazil, 1976) (aged 34)
Barra Pesada (Reginaldo Faria, Brazil, 1977) (as Mãe de Queró aged 35)
O Cortiço (Francisco Ramalho Jr., Brazil, 1978) (aged 36)
Muito Prazer (David Neves, Brazil, 1979) (as Nádia aged 37)
# Amor e Traição (Pedro Camargo, 1979) (featuring Ítala Nandi as Dona Judith aged 37) ✭ ✭ ✭ ✭ ✭
with Claudia Ohana, Nelson Xavier, Joffre Soares, Geraldo Azevedo, Maria Sílvia, Gilson Barbosa, Aguinaldo Batista, João Batista, Paulo Camelo, Nádia Carvalho, Iracema de Almeida and Adhemar de Oliveira
Ítala volunteers as a prison visitor in this steamy Brazilian melodrama. It was either that or do nothing all day but accompany her ageing buffoon of a husband on his pathetic duck hunting expeditions. Behind bars she meets young José, who by the evidence of this clip is simply too good for this world. He's on remand by the way for burying an axe in the back of his young bride Claudia Ohana's head (she nagged, and was unfaithful anyway).
It's a fine day today and the pair have wangled a trip to the marshes. Finding a sandy place to sit down by the water, and the bland opening conversational gambit out of the way, Ítala asks the lad to take off his shirt. Artlessly thinking it might just be a nervous lady's tactful way of checking he had no sharp wood-cutting implements about his person he reluctantly obliges. Next of course it's Ítala's turn to start unbuttoning. And then the riding boots have to come off. Followed by everything else, slowly, enticingly, and in striptease order.
Soon Ítala is naked in the clear water, begging to be extricated from the grip of a lethal quagmire, and José is beginning to have suspicions. But as mentioned he's too good for this world and selflessly sallies a rescue. By which time of course it's too late. Meanwhile the blam! blam! of the lady's husband's shot gun is making me nervous. A hint of things to come perhaps? I'm reminded of the carefree young poppet Claudia hanging up the great big axe over her own front door...
In Vino Veritas (Ítala Nandi, Brazil, 1982) (as Narrator aged 40)
Luz del Fuego (David Neves, Brazil, 1982) (as Gaspar s wife aged 40)
# O Homem do Pau-Brasil (Joaquim Pedro de Andrade, Brazil, 1982) (featuring Ítala Nandi as Oswald de Andrade aged 40) ✭ ✭ ✭ ✭ ✭
with Dora Pellegrino, Isa Kopelman, Cristina Aché, Dina Sfat, Juliana Carneiro da Cunha, Flávio Galvão, Regina Duarte, Lucélia Maquiavelli, Paulo Hesse, Guará Rodrigues, Carlos Gregório and Maria do Carmo Sodré
A typically colourful and manic Brazilian left-wing political fantasy in which Ítala plays the female aspect of the male hero. At the climax the pair and sidekick Dora Pellegrino are hiking naked (except for comical merkins) through the jungle to hijack the villain's yacht laden with saucy beachwear-clad nymphos.
It's brave of Ítala to go up against her much younger and curvier rival like this, but she comes out of the comparison quite well. Meanwhile our hero is about to realise that while it can be great for the ego to walk down a nude beach quoting Marxist dialectics with an adoring female on each arm, when she starts with the finger-jabbing technique herself this type of woman can get tiresome very quickly. Alas too late. The pair, along with a gang of naked female extras, mobs and (according to the synopsis) eats him as if he were the villainess in a Jess Franco film.
Guerra Conjugal (Joaquim Pedro de Andrade, Brazil, 1983) (as Olga aged 41)
O Rei da Vela (José Celso Martinez Corrêa, Brazil, 1983) (as Heloisa de Lesbos aged 41)
Direito de Amar (Jayme Monjardim, Brazil, 1987) (as Bárbara aged 45)
Que Rei Sou Eu? (Jorge Fernando, Brazil, 1989) (as Loulou Lion aged 47)
Índia - O Caminho dos Deuses (Ítala Nandi, Brazil, 1991) (aged 49)
74.5 Uma Onda no Ar (Lucas Bueno, Brazil, 1994) (as Iolanda aged 52)
O Ritual dos Sádicos (José Mojica Marins, Brazil, 1999) (aged 57)
A Casa das Sete Mulheres (Teresa Lampréia, Brazil, 2003) (as Francisca aged 61)
Glauber o Filme, Labirinto do Brasil (Silvio Tendler, Brazil, 2003) (as Herself aged 61)
Quem Vai Ficar com Mário? (Jorge Fernando, Brazil, 2004) (as Ana Salgado Mota aged 62)
Manual Prático da Melhor Idade (Adolfo Rosenthal, Brazil, 2014) (as Zuleica aged 72)
Nova Amsterdam (Brazil, 2016) (as Bernarda aged 74)
Prata Palomares (André Faria, Brazil, 2016) (as Saint aged 74)
Pitanga (Beto Brant, Brazil, 2017) (as Herself aged 75)
Possessões (Tiago Santiago, Brazil, 2018) (as Rosana aged 76)
Domingo (Fellipe Barbosa, Brazil, 2018) (as Laura aged 76)
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