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Reviews and pictures of actress Hanna Mikuc naked in "Yaroslavna, koroleva Frantsii", "Widziadlo" and "Spowiedz dzieciecia wieku".
Born: 1955 Country: Poland
Warm-natured and shapely Polish babe who liked to get undressed on screen. Ever so slightly scary-eyed, she best played characters mentally on the edge - or right over it.
Hubal (Bohdan Poreba, Poland, 1973) (as Liaison Officer aged 18)
Zagrozenie (Waclaw Florkowski, Poland, 1976) (as Reporter aged 21)
Goraczka mleka (Juliusz Machulski, Poland, 1977) (as Woman at funeral aged 22)
Honor dziecka (Feridun Erol, Poland, 1978) (as Krystyna Boratynska aged 23)
Wszyscy i nikt (Konrad Nalecki, Poland, 1978) (aged 23)
# Yaroslavna, koroleva Frantsii (Igor Maslennikov, Soviet Union, 1979) (featuring Hanna Mikuc aged 24) ✭ ✭ ✭ ✭ ✭
with Kirill Lavrov, Elena Koreneva, Viktor Yevgrafov, Khanka Mikuch, Nikolay Karachentsov, Sergey Martinson, Vasiliy Livanov, Vladimir Izotov, Armen Dzhigarkhanyan, Igor Dmitriev, Veslav Golas and Aleksandr Susnin
Old-school Soviet historical epic in which 11th Century Princess Anna treks from Kiev to Paris to become bride of the King of France. Hanna plays her maid, an absolute brick when it comes to pampering people something rotten. Which is a good thing when the journey takes two whole years - and about seven times that in "skin disease years" if the effect on the travellers' complexions is anything to go by.
We join Hanna as, the caravan having made camp in the woods, she tucks the Princess in beneath multiple layers of furs and does everything to make her snug and cosy short of actually kissing her night-night. Then she bolts for it to join her lover by the lake, where they both undress and swim. Or rather Hanna preempts any attempt at swimming by turning it into the usual "splash-athon". I noticed she was a good deal quieter after she fell over backwards. Perhaps chappie had the foresight to put a tripwire there? A handy tip to make any such future occasions more bearable.
A good deal later a male member of the party falls ill. Hanna cajoles her companions into fetching a massive, massive pile of furs to wrap him up in. As if that wasn't enough, you'll notice she's been baring her breast to nurse him in the meantime. Told you she was a brick.
Zmory (Wojciech Marczewski, Poland, 1979) (as Balbina aged 24)
Sowizdrzal Swietokrzyski (Henryk Kluba, Poland, 1980) (as Szlachcianka aged 25)
Przypadki Piotra S. (Stanislaw Jedryka, Poland, 1982) (as Girl aged 27)
Rys (Stanislaw Rózewicz, Poland, 1982) (as Pregnant Girl aged 27)
Pensja pani Latter (Stanislaw Rózewicz, Poland, 1983) (as Madzia Brzeska aged 28)
Nieciekawa historia (Wojciech Has, Poland, 1983) (as Katarzyna aged 28)
Seksmisja (Juliusz Machulski, Poland, 1984) (aged 29)
# Widziadlo (Marek Nowicki, Poland, 1984) (featuring Hanna Mikuc as Pauline aged 29) ✭ ✭ ✭ ✭ ✭
with Monika Braun, Marzena Trybala, Dorota Kwiatkowska, Anna Chodakowska, Roman Wilhelmi, Mariusz Benoit, Mariusz Dmochowski, Maciej Mazurkiewicz, Jacek Kalucki, Olgierd Lukaszewicz, Witold Skaruch and Ryszard Pracz
Typical Polish chocolate-box gothic melodrama in which many beguiling temptresses strip off their clothes. Of these Hanna is let off relatively lightly; she gets to go indoors first for instance.
This scene is one for all you young governess types out there wanting to know how to help your widowed employer deal with the morbid apparitions of his dead wife. You can do this in any drawing room, preferably after midnight. Just stand there wearing nothing but a silk scarf and peacock feathers and patiently teach him your name. (These instructions are provided as a guideline only.)
Kobieta w kapeluszu (Stanislaw Rózewicz, Poland, 1985) (as Ewa aged 30)
Pismak (Wojciech Has, Poland, 1985) (as Sykstus s Lover aged 30)
# Spowiedz dzieciecia wieku (Marek Nowicki, Poland, 1986) (featuring Hanna Mikuc as Brigitte aged 31) ✭ ✭ ✭ ✭ ✭
with Marzena Trybala, Agnieszka Fatyga, Sylwia Gaj-Kawecka, Elzbieta Anusik, Marek Cichucki, Irena Malkiewicz, Bronislaw Pawlik, Grazyna Barszczewska, Ludwik Benoit, Wanda Chwialkowska, Jerzy Gralek and Jan Hencz
Hanna plays a young widow who gains a tragic grip on the heart of a young poet in post-Napoleonic France. Outwardly respectable (she has that weird lay-flat mid-Victorian hair), and somewhat fey, she is in reality a dreadful tease. She lures our man in by continuous and provocative playing of the piano - a skill not to be under-rated in the days before telly. You can see her at it in this clip, before she lets down her hair, followed shortly by her nightdress.
Smak czekolady (Pawel Karpinski, Poland, 1986) (as Ewa aged 31)
Pay Off (George Tirl, Sweden, 1987) (aged 32)
Érzékeny búcsú a fejedelemtöl (László Vitézy, Hungary, 1987) (as Brandenburgi Katalin aged 32)
Przesluchanie (Ryszard Bugajski, Poland, 1989) (as Woman in hospital aged 34)
Eminent Domain (John Irvin, France, 1991) (as Nurse aged 36)
Gluchy telefon (Piotr Mikucki, Poland, 1991) (as Katarzyna aged 36)
Taranthriller (Miroslaw Dembinski, Poland, 1997) (as Joanna aged 42)
Lózko Wierszynina (Andrzej Domalik, Poland, 1998) (as Olga aged 43)
Na dobre i na zle (Monika Figura, Poland, 1999) (as Lidia aged 44)
Pieniadze to nie wszystko (Juliusz Machulski, Poland, 2001) (aged 46)
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