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Reviews and pictures of actress Patricia Adriani naked in "Dedicatoria", "Sus años dorados", "Sensitività", and 5 more titles.
Born: 1958 Country: Spain
An actress with classic Mediterranean looks, with her dark gypsy eyes and delicately curving features.
Mr. Skin has a page for Patricia - click here for more of her pics & clips!
# La máscara (Ignacio F. Iquino, Spain, 1977) (featuring Patricia Adriani aged 19) ✭ ✭ ✭ ✭ ✭
This early outing from Patricia is (like all the best films) about a schoolgirl initiating a lesbian affair with her gym mistress. She's a headstrong and slightly sinister girl this one, not quite in the Malabimba class of madness and badness, but still perhaps a little dangerous to know. Her no-nonsense teacher (Rosa Valenty) has her personal problems too, notably a masochistic taste for rough sex, and a past as the plaything of a glamorous older lady (María Martín) who used to lovingly slick back her hair and call her a handsome young man.
In the first clip the girls are having a swimming lesson and Patricia has forgotten her towel. If you think that means she won't be having a shower you're about to be proved wrong. Rosa isn't in the mood for any fooling about (you know how it is when you've a busy day and lots to get through) and a surprise kiss on the cheek does nothing but bring back unsettling memories. The action then moves straight to Patricia's bedroom where the ever-provocative girl spoils the atmos of a heart-to-heart with another full-frontal flash. Will it spoil the chances of Rosa getting around to returning that kiss?
Later on the pair are holidaying in a villa by the sea. Relations are a little more intimate between them, but all-out snogging is still not on the cards. So Patricia introduces the next-best thing: naked play wrestling! But they make so much noise they fear they have woken half the household. The girl slips out of bed in the nude to check there's no one lurking at the doors and windows. Perhaps a moment of dread for poor Rosa if she thought (like I did) that the little horror was about to go padding downstairs and checking out the contents of the fridge.
María, la santa (Roberto Fandiño, Spain, 1977) (as María aged 19)
# ¡Susana quiere perder... eso! (Carlos Aured, Spain, 1977) (featuring Patricia Adriani as Susana aged 19) ✭ ✭ ✭ ✭ ✭
with Violeta Cela, Alfredo Alba, José Luis Alexandre, María Casal, Luis Ciges, Manuel de Blas, Javier Escrivá, May Heatherly, Paloma Hurtado and Andrés Isbert
Patricia's debut in which she plays a teenager, and I wouldn't venture to say a particularly pleasant one either. She spends half the film either pointlessly flashing her tits or throwing some sort of massive strop. The first clip shows a couple of instances of the former.
Remember those teenage years when you'd invent an excuse (any excuse) to hang around a girl's house (any girl's house) on ironing night? Happy days. Patricia is just as careless when out shopping with her mum. She might think it's a laugh, but glaring in the boutique window is the minatory visage of a sex-starved lorry driver who's been neglecting his appearance for the past twenty-five years. Unfair: I reckon any gentleman would look the same under such trying circumstances. 'Excuse me Madam, but until the young lady puts on her blouse I cannot decently pass by this shopfront', he might say in mellifluous tones, 'and I need to get to my lorry'.
The second clip drops a bombshell: teenage girls commonly lust after middle-aged neighbours and spy on them in their rooms after midnight. Those of you who change your underpants with the curtains open have no idea what a treat you've been giving the trainee nurses in the hostel across the road. Patricia reaches for a hugely expensive telephoto lens - most girls keep theirs in their top cupboard - to help gratify her voyeuristic kink. Her fantasies stay with her as she languishes on the bed in an orgy of self-love, culminating in a breathless climax.
Patricia is still a virgin apparently, and what passes for the plot of this drab and sordid comedy revolves around her trying to remedy this. Hence the elaborate next act with the middle-aged neighbour set in a hotel room. He turns out to be a vain and unsatisfactory sort, and not to the girl's liking after all. She cuckolds him in some unlikely stunt she must have cooked up with the lads from college.
# Fraude matrimonial (Ignacio F. Iquino, Spain, 1977) (featuring Patricia Adriani aged 19) ✭ ✭ ✭ ✭ ✭
with Joaquín Blanco, Mercè Bruquetas, Eudaldo Esoala, Juan Fernández, Paquita Ferrándiz, Fedra Lorente, Glòria Martí, Antonio Mayans, Josep Minguell and Aldara Minietto
Spanish melodrama in which an uncharacteristically glam Patricia plays the young bride of a rather, er, unsatisfactory young man. In the first clip his very lukewarm performance in their honeymoon hotel room is a puzzler for the girl. Things get a little nearer the mark at the second attempt (and more tastefully lit too, with some nice piano and organ music) but poor Patricia is ultimately still left on her lonesome, tapping on the bathroom door tearfully in the nude.
Los claros motivos del deseo (Miguel Picazo, Spain, 1977) (as Chonina aged 19)
# Oro rojo (Alberto Vázquez Figueroa, Spain, 1978) (featuring Patricia Adriani as Aurelia aged 20) ✭ ✭ ✭ ✭ ✭
with Isela Vega, José Sacristán, Hugo Stiglitz, Jorge Luke, Terele Pávez, Eduardo Bea, Carlos Ballesteros, Fernando Baeza, Alejandro de Enciso and Antonio Gamero
Patricia lives on a barren island where the sinister folks in charge wear fetish gear variants of normal clothing and chase her about a lot. It sounds like a banal Jess Franco film but isn't as interesting as that. Nor is it as interesting as Patricia's other 'savage island' nonsense Teufelscamp der verlorenen Frauen.
First up we see plucky Patricia in a couple of scenes being menaced by the blow-dried sadistic idiot who I presume is in charge (Why would anyone rape a girl on the ashy slopes of a volcano when he could do it in the back of the limo? What an idiot.). Then we have a full-frontal bedtime scene which is messed up by being far too dark. Still, Patricia does her doe-eyed thing, and cuddles up nicely to the bearded escaped convict to keep him warm. The same escaped convict by the way who was getting off with Isela Vega earlier - charismatic chappie this one.
# Triangle of Lust (Hubert Frank, West Germany, 1978) (featuring Patricia Adriani as Susi aged 20) ✭ ✭ ✭ ✭ ✭
with Bárbara Rey, José Antonio Ceinos, Miguel Ángel Godó, Manu, Eric Wedekind, José Luis Alexandre, Florentino Alonso, Brigitte Stein, Alexander Allerson and Andrés Santana
High drama for Patricia as this spoilt little rich girl is hurriedly strapped into a parachute and bundled out of a doomed aeroplane's passenger door. But if you're thinking of emulating this trick to rid yourself of a bothersome niece so you can go down the pub take this film as a warning to have a care where she lands.
The luckless Patricia (the naïve little angel must have thought filming on a sub-tropical island was a good skive) washes up on the shore of a sub-Franco prison camp hellhole. The first gun-toting ruffian she bumps into isn't interested in explanations (they would have sounded unconvincing anyway) and ties her up as a target for a knife-throwing act he's working on. It's a consolation the men on this island are of the gloatingly sadistic persuasion and she's never in any danger of actually being raped.
If anything the next guy is an even worse creep, just less heavily armed. He hints to Patricia nobody would mind if she bathed in the sea without a costume (like that other girl splashing around in the surf over there) and she's surprisingly amenable to the suggestion. Just then her Mum and Dad happen to fly over (searching for her, or just checking she's keeping out of trouble) and the scene dissolves into incoherence.
In the second compilation, after many misadventures, including an encounter in bizarre circumstances with a handsome young fellow-fugitive, a shell-shocked Patricia finds herself at a deserted homestead. She neatly hangs all her clothes on the washing line and wanders through the empty rooms naked, wondering if there's anybody home, and if she's doing things in the right order. Suddenly there's a commotion and Patricia is frantically trying to barricade herself in with broken-off doors like those people in Threads when the bomb finally dropped.
Yes it's a gang of motorcycle rapists, but handsome young fellow-fugitive (last seen falling off a cliff) arrives just in time to send them all packing. So it's time to relax and get down to some serious lovemaking. But that bike gang never was quite shaken off, and a further gunfight ensues before the action staggers to a halt in flashbacks and arty pretentiousness.
# Sensitività (Enzo G. Castellari, Spain, 1979) (featuring Patricia Adriani as Lilith - paranormal viewer aged 21) ✭ ✭ ✭ ✭ ✭
with Leonora Fani, Vincent Gardenia, Wolfango Soldati, Massimo Vanni, Marta Flores, Antonio Mayans, José Sánchez, Luis Induni, Caterina Boratto and Alberto Squillante
Patricia plays the mad raggedy country girl alter-ego of heroine Leonora Fani in this terrifically silly Italian horror. The two have a sort of psychic link whereby when Leonora has sex Patricia is compelled to feverishly masturbate. I couldn't quite divine the exact mechanism behind this despite the advantage of having seen Patricia Scalvi and Aldine Muller in Ninfas Diabólicas (1978), but am prepared to let it go for the time being.
This is the climactic scene. Patricia is engrossed in a woodland Voodoo ritual when Leonora roars up on her motorbike. A SMACK!! in the face with a burning brand seems to sort that meddling bitch out, but Leonora is up and slugging the gipsy girl in the jaw before you can say 'That's horrid!'. The minxes battle it out, rolling in the dust tearing at each other's frocks. It looks like something choreographed by Chuck Norris, only with regular upskirt shots of the girls' plain white pants. Truly bizarre, but simply the best topless catfight scene in the history of Western Art.
# Sus años dorados (Emilio Martínez Lázaro, Spain, 1980) (featuring Patricia Adriani as María aged 22) ✭ ✭ ✭ ✭ ✭
with Mireia Ros, José Pedro Carrión, Marisa Paredes, Luis Politti, Pep Munné, Agustín González, Roberto Camardiel, Eduardo Calvo, Francisco Merino and Antonio Gamero
Dreary and shoddily made Spanish melodrama about thirtysomething pot-smoking leftist dullards. Needless to say, Patricia is a breath of fresh air. In this delicious scene she slips out of bed naked (taking care lest her man should wake and start to bore the audience) and makes her way on tippytoe to the bathroom to pack her toothbrush and go.
# Dedicatoria (Jaime Chávarri, Spain, 1980) (featuring Patricia Adriani as Carmen aged 22) ✭ ✭ ✭ ✭ ✭
with Amparo Muñoz, José Luis Gómez, Luis Politti, Francisco Casares, Hélène Peychayrand, Claude Legros, Marie Mansart, Juan Jesús Valverde and María Amezua
The delectable Patricia is the principal romantic interest in this elegant but melancholy Spanish drama. The hero is a somewhat smarmy journalist type pushing forty, with distinctly sleazy and voyeuristic inclinations. A dislikable fellow perhaps, but still, easy to identify with eh?
This clip contains two scenes, seduction and consummation, which don't actually belong together but I thought made a romantic pairing. A chance encounter in a sleeping compartment of an express train, and our Don Juan offers Patricia a swig from his hip flask. 'Rohypn..., er, whisky' he says as she pulls a face. Etc., etc.
El nido (Jaime de Armiñán, Spain, 1980) (as Marisa aged 22)
Nárcisz és Psyché (Gábor Bódy, Hungary, 1980) (as Psyché - Erzsébet Lónyay aged 22)
Cuentos eróticos (Spain, 1980) (aged 22)
7 calles (Spain, 1981) (as Joana aged 23)
Kargus (Spain, 1981) (aged 23)
Géminis (Spain, 1982) (aged 24)
Últimas tardes con Teresa (Gonzalo Herralde, Spain, 1984) (as Maruja aged 26)
Todo va mal (Emilio Martínez Lázaro, Spain, 1984) (aged 26)
Àngel Casas Show S01E10: Episode #1.10 (1984) (as Herself aged 26)
Las bicicletas son para el verano (Jaime Chávarri, Spain, 1984) (as María aged 26)
Estudio abierto S00E00: Episode dated 11 July 1984 (José María Íñigo, 1984) (as Herself aged 26)
Teresa de Jesús S01E05: Fundaciones (Josefina Molina, 1984) (as Princesa de Éboli aged 26)
Teresa de Jesús S01E06: Visita de descalzas (Josefina Molina, 1984) (as Princesa de Éboli aged 26)
Àngel Casas Show S02E12: Episode #2.12 (Àngel Casas, 1985) (as Herself aged 27)
Àngel Casas Show S01E68: Episode #1.68 (Àngel Casas, 1985) (as Herself aged 27)
De tripas corazón (Julio Sánchez Valdés, Spain, 1985) (as Rocío aged 27)
Pasión lejana (Jesús Garay, Spain, 1986) (as Irene aged 28)
Luna de agosto (Juan Miñón, Spain, 1986) (aged 28)
Lulú de noche (Emilio Martínez Lázaro, Spain, 1986) (as Lola aged 28)
Hace quince años (José Luis Escolar, Spain, 1987) (aged 29)
Fin de siglo S00E00: Episode dated 30 December 1987 (Pablo Lizcano, 1987) (as Herself aged 29)
Guarapo (Spain, 1987) (aged 29)
Quimera (Carlos Pérez Ferré, Spain, 1988) (aged 30)
Der Mann im Salz (Rainer Wolffhardt, Austria, 1989) (as Isabel aged 31)
Yo soy el que tú buscas (Jaime Chávarri, Spain, 1989) (as Natalia aged 31)
Cinema 3 S00E00: Episode dated 16 May 1990 (Jaume Figueras, 1990) (as Herself aged 32)
Visions d'un estrany (Enric Alberich, Spain, 1991) (as Sandra aged 33)
Juego de niños S00E00: Episode dated 16 June 1991 (Miquel Obiols, 1991) (as Herself aged 33)
Crónicas del mal S00E00: Compañeros en el crimen (Juan Miñón, 1992) (aged 34)
Dangerous Curves S02E10: Cross Your Heart (Carlos Gil, 1992) (as Isabel aged 34)
La fièvre monte à El Pao (France, 1993) (as Ines aged 35)
¡Hola Raffaella! S00E00: Episode dated 16 December 1993 (Sergio Japino, 1993) (as Herself aged 35)
El día que me quieras S01E08: Indicios (I) (1994) (as Ana aged 36)
Zapico (Rafael Bernases, Spain, 1996) (as Ana aged 38)
Calle nueva S00E00: Episode dated 5 October 1997 (1997) (as Lucía Palacios aged 39)
Calle nueva S01E14: Episode #1.14 (1997) (as Lucía Palacios aged 39)
Calle nueva S01E10: Episode #1.10 (1997) (as Lucía Palacios aged 39)
La virtud del asesino (Spain, 1998) (aged 40)
Calle nueva S01E: Episode #1.100 (1998) (as Lucía Palacios aged 40)
Calle nueva S02E01: Episode #2.1 (1998) (as Lucía Palacios aged 40)
Calle nueva S00E00: Episode dated 5 April 1999 (1999) (as Lucía Palacios aged 41)
Nada es para siempre S00E00: Episode dated 9 September 1999 (1999) (as Sofía aged 41)
Nada es para siempre S00E00: Episode dated 8 August 1999 (1999) (as Sofía aged 41)
Nada es para siempre S00E00: Episode dated 8 September 1999 (1999) (as Sofía aged 41)
Nada es para siempre S00E00: Episode dated 10 October 1999 (1999) (as Sofía aged 41)
Nada es para siempre S00E00: Episode dated 22 November 1999 (1999) (as Sofía aged 41)
Nada es para siempre S00E00: Episode dated 19 November 1999 (1999) (as Sofía aged 41)
Nada es para siempre S00E00: Episode dated 10 September 1999 (1999) (as Sofía aged 41)
Nada es para siempre S00E00: Episode dated 18 November 1999 (1999) (as Sofía aged 41)
Nada es para siempre S00E00: Episode dated 11 October 1999 (1999) (as Sofía aged 41)
Nada es para siempre S00E00: Episode dated 26 January 2000 (2000) (as Sofía aged 42)
Nada es para siempre S01E: Episode #1.191 (2000) (as Sofía aged 42)
Nada es para siempre S00E00: Episode dated 21 March 2000 (2000) (as Sofía aged 42)
Nada es para siempre S00E00: Episode dated 20 March 2000 (2000) (as Sofía aged 42)
Nada es para siempre S00E00: Episode dated 27 January 2000 (2000) (as Sofía aged 42)
Nada es para siempre S01E: Episode #1.141 (2000) (as Sofía aged 42)
Nada es para siempre S00E00: Episode dated 22 March 2000 (2000) (as Sofía aged 42)
Nada es para siempre S00E00: Episode dated 23 March 2000 (2000) (as Sofía aged 42)
Paraíso S02E01: Vudú (2001) (as Teresa aged 43)
Paraíso S03E01: El ángel (2002) (as Teresa aged 44)
Want more? Mr. Skin has a page for Patricia - click here for more of her pics & clips!
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