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Reviews and pictures of actress Matilde Mastrangi naked in "A Noite das Taras II", "Erótica, a Fêmea Sensual", "Tudo na Cama", and 6 more titles.
Born: 1953 Country: Brazil
A big girl, and not the usual type at all, but she still became the star of Brazil's pornochanchada genre.
Matilde Raspa Mastrangi (18 March 1953 in São Paulo, Brazil - ) is a Brazilian actress. snippet from Wikipedia
Mr. Skin has a page for Matilde - click here for more of her pics & clips!
As Cangaceiras Eróticas (Roberto Mauro, Brazil, 1974) (aged 21)
Bacalhau (Adriano Stuart, Brazil, 1975) (as Lucélia aged 22)
Cada um Dá o que Tem (Brazil, 1975) (aged 22)
Já Não Se Faz Amor Como Antigamente (Brazil, 1976) (aged 23)
Incesto (Fauzi Mansur, Brazil, 1976) (aged 23)
Emanuelle Tropical (J. Marreco, Brazil, 1977) (aged 24)
# A Noite das Taras I (David Cardoso, Brazil, 1980) (featuring Matilde Mastrangi as Susana aged 27) ✭ ✭ ✭ ✭ ✭
This erotic comic episode is about a sailor and a night of shore leave that goes off the rails thanks to a bunch of small-time gangsters. Briefly, his reward is a long night of passion with Matilde, but there's to be a heavy price to pay afterwards. That's what all that anxious looking at watches and pointing of guns is about.
Matilde exposes herself magnificently in one of her best ever roles. Those who like their women beautiful, passionate and buxom will be hard-pressed to find better.
Orgia das Taras (Luiz Castellini, Brazil, 1980) (as Jandira aged 27)
# As Intimidades de Analu e Fernanda (José Miziara, Brazil, 1980) (featuring Matilde Mastrangi aged 27) ✭ ✭ ✭ ✭ ✭
A cameo for Matilde here, banging on a yacht to the rhythm of the waves, somewhere near Rio. She doesn't show a lot, and there isn't much to recommend the clip besides the beautiful atmosphere conjured up by renowned cinematographer Antonio Meliande.
# Palácio de Vênus (Ody Fraga, Brazil, 1980) (featuring Matilde Mastrangi aged 27) ✭ ✭ ✭ ✭ ✭
Matilde is one of the attractions on the books of a new high-class cathouse. It's not the official opening night yet so for this client she is just wearing the traditional Brazilian street prostitute's uniform of singlet and shorts. It's a typically obsessive and absurd sex scene from director Ody Fraga, with due attention paid to the famous broad Mastrangi bottom. The camera angle is very revealing at one point.
As an encore, the second clip is a charming vignette. There's a word for what the gentleman is doing with his tongue, and I wish I could remember what it is. Matilde notices the camera and, breaking the fourth wall, gives us a winning smile. But do I detect just a hint of sheepishness there?
Sócias do Prazer (Waldir Kopesky, Brazil, 1980) (aged 27)
A Cobiça do Sexo (Mozael Silveira, Brazil, 1981) (aged 28)
Volúpia ao Prazer (Rubens Eleutério, Brazil, 1981) (as Letícia aged 28)
As Taras de Todos Nós (Guilherme de Almeida Prado, Brazil, 1981) (as Cláudia (segment Uso Prático dos Pés O ) aged 28)
# Pornô! (David Cardoso, Brazil, 1981) (featuring Matilde Mastrangi as Ilona aged 28) ✭ ✭ ✭ ✭ ✭
A typically undemanding scene for Matilde in this erotic anthology, showing off her biggest asset in the shower. David Cardoso has brought her back to his place for the first time and has invited her to take a shower. Alone. Not really a good sign (is his mother still alive? in the attic?), but with characteristic immodesty Matilde begins to undress with the handsome young fellow still in the room. And with characteristic ice cool nerve Cardoso affects to ignore her. The suave little beggar's risking her walking out on the spot, but at least he's got the lady thinking. Not in a good way, but she's thinking.
A Cafetina de Meninas Virgens (Brazil, 1981) (aged 28)
Em Busca do Orgasmo (Waldir Kopesky, Brazil, 1981) (as Tilde aged 28)
Amor Estranho Amor (Walter Hugo Khouri, Brazil, 1982) (aged 29)
# A Noite das Taras II (Ody Fraga, Brazil, 1982) (featuring Matilde Mastrangi as Malvina aged 29) ✭ ✭ ✭ ✭ ✭
Matilde leads a gang of four girls on a raid on the house of heartthrob David Cardoso. Heavily armed they may be but what gives them away as amateurs is how easily they are distracted. Each of the girls finds some sort of excuse to get the others out of the room so they can use the poor man as they please. In a hymn to Matilde's magnificent bottom Cardoso is forced at gunpoint to 'do his bit'.
Pecado Horizontal (José Miziara, Brazil, 1982) (as Tininha aged 29)Mr. Skin may have clips: http://www.mrskin.com/pecado-horizontal-nude-scenes-t14489.html
Flor do Desejo (Guilherme de Almeida Prado, Brazil, 1983) (as Odete aged 30)Mr. Skin may have clips: http://www.mrskin.com/flor-do-desejo-nude-scenes-t14140.html
# Corpo e Alma de Uma Mulher (David Cardoso, Brazil, 1983) (featuring Matilde Mastrangi aged 30) ✭ ✭ ✭ ✭ ✭
with Helena Ramos, David Cardoso, Tássia Camargo, Zelia Martins, Elizabeth de Luiz and Antônio C. Ribeiro
Matilde plays a random woman bumped into on a plane by married man David Cardoso on a business trip to Lisbon. Before the day is over he is showering with her in a hotel room before turning her over to start on something rather less hygienic.
Not the most original thing Matilde has done by any means, and hardly integral to the plot either, but what do you expect when the leading man is also the director? The action moves to the bedroom for some intense but fastiduous-as-to-choice-of-area tonguing, the session wrapped up with a little tentative 'testing the water' petting. Cardoso plays just a little gauche in this film, perhaps the sort of man whose sex manual is so well-thumbed all the pages fell out and he ended up sticking them in again back to front.
# Tudo na Cama (Antonio Meliande, Brazil, 1983) (featuring Matilde Mastrangi aged 30) ✭ ✭ ✭ ✭ ✭
Matilde plays a bride-to-be in this simpleminded pornochanchada. No doubt hearing about her intended's carryings-on with Sandra Graffi on the eve of the wedding she storms into his room and strips, indignantly inquiring why she seems to be the only one missing out on the action. Romeo is all innocence, pointing to her pubic hair, and demanding an explanation. Inevitably Matilde gets her own way, and with her on top too. Because she's that kind of girl, and anyway she knows this is the stage in a relationship where precedents have to be set, and set in her favour. And no matter if his mother and the Aunts get offended in the process.
Clip number two takes place on the evening of the happy day. Practical jokes at the newlyweds' expense are traditionally part of the celebrations, and three ex-girlfriends have come up with a prank that should tickle us all. Namely, stripping naked and hijacking the marital bed. Uh-oh!, this could be the first black eye of the marriage if the groom doesn't act quickly. But what did I just say about setting precedents, and setting them in your favour?
# Caçadas Eróticas (David Cardoso, Brazil, 1984) (featuring Matilde Mastrangi as Rose aged 31) ✭ ✭ ✭ ✭ ✭
David Cardoso accepts an invitation from Matilde to join her in her camper van on the beach. And if she suggests it should be 'friends with benefits' when was he ever one to turn down temptation? But the lady has treachery on her mind!
S.O.S. Sex-Shop (Alberto Salvá, Brazil, 1984) (as Elisa aged 31)
# Erótica, a Fêmea Sensual (Ody Fraga, Brazil, 1984) (featuring Matilde Mastrangi as Flora aged 31) ✭ ✭ ✭ ✭ ✭
with Carmem Angélica, Aryadne de Lima, Denis Derkian, John Doo, Luis Mewes, Cláudio Portioli, Selma Ribeiro and Germano Vezzani
One of the last entries in the pornochanchada genre from Ody Fraga, a typically elegant, cultured, and ridiculous affair. The storyline is very simple. The heroine Matilde has an enormous and unsightly growth on the side of her face. It will need an operation to remove it. Meanwhile she has nightmares of erotic self-mortification. But does she really want the operation anyway? Perhaps she's actually afraid of the changes it could bring?
In the first clip we see that Matilde is not just self-conscious about her disfigurement, she's letting it impede her sensual response as well. A hunk emerges from the sea to help her with this problem. In case you think they could have chosen a more practical place than in the raging surf: it'd be alright if they got swept away, it'd be a 'metaphor'. The scene is especially explicit by Matilde's standards.
By the second clip, full of absurdly formal Odyisms, the woman is learning to give way to her partner's efforts to gratify her sexual needs. In fact you can even pinpoint the actual pivotal moment without much difficulty. Finally, by means of the time-honoured aphrodisiac of the 'luxury yacht', Matilde becomes able to respond not just to her own desires but, by taking the initiative, to her partner's as well (ie. hurrah, she gets on top).
Vereda Tropical (Brazil, 1984) (aged 31)
A Dama do Cine Shanghai (Guilherme de Almeida Prado, Brazil, 1987) (as Secretary aged 34)
Cortina de Vidro (Brazil, 1989) (aged 36)
Perfume de Gardênia (Guilherme de Almeida Prado, Brazil, 1992) (aged 39)
Glaura (Guilherme de Almeida Prado, Brazil, 1997) (aged 44)
A Hora Mágica (Guilherme de Almeida Prado, Brazil, 1999) (aged 46)
Onde Andará Dulce Veiga? (Guilherme de Almeida Prado, Brazil, 2008) (as Iracema aged 55)
Want more? Mr. Skin has a page for Matilde - click here for more of her pics & clips!
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