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Reviews and pictures of actress Linda Lay naked in "Emmanuelle y Carol", "Los violadores del amanecer" and "El fascista, la beata y su hija desvirgada".
Buxom but typically haughty and unsmiling Spanish brunette with a short-lived career in moving pictures, her acting abilities perhaps better suiting her to still photographs.
Mr. Skin has a page for Linda - click here for more of her pics & clips!
Perros callejeros (José Antonio de la Loma, Spain, 1977) (as Víctima de agresión sexual)
Mr. Skin may have clips: http://www.mrskin.com/perros-callejeros-nude-scenes-t13709.html
# El fascista, la beata y su hija desvirgada (Joaquín Coll Espona, Spain, 1978) (featuring Linda Lay as Amante de Juan)
with José Luis López Vázquez, Amparo Soler Leal, Patricia Rivera, Orlando Urdaneta, María Luisa Ponte, Luis Calderón, Rafael Machado, Alberto Fernández, Estanis González and Isabel María Pérez
Wretched example of a post-Franco Spanish sex comedy that with the excuse of exposing-the-hypocrisy-of-the-ruling-classes simply humiliates some of the more distinguished members of the cast. Not Linda though; it's her job to do this sort of thing, and she does it rather well.
We join our hangdog hero José Luis López Vázquez, the perennial Spanish respectable married man, just after a long-drawn-out bonking session (obscured by titles so we won't bother with it). Linda certainly knows how to look after a man. She even convinces him she doesn't want him to leave for the office. Which trick gains her extra 'pocket money' this week (on condition she doesn't spend any more of it on chocolates). And it's on to another bedroom session with Linda on top trying to get her ample breast into Señor Vázquez's mouth. Notice how he humorously failed to get all his socks off in time. See what I mean about humiliating the cast? It makes Spain's most accomplished comic actor look like he has the sexual sophistication of Bernard Bresslaw. And worse, that he needs the money.
The second clip sees Linda entertaining with a striptease. This was back in the days when you were allowed to both drink and smoke while ogling 'birds' like this. And with Linda's use of her g-string as a 'catty' bringing back boyhood memories too, our hero is in seventh heaven. Even his potentially fatal coronary is mitigated when quick-thinking Linda rings for an ambulance. See what I mean about her knowing how to look after a man?
# Los violadores del amanecer (Ignacio F. Iquino, Spain, 1978) (featuring Linda Lay as María)
Another impressive Spanish starlet (cf. Mireia Ros) fails to find better employment than this sordid rape shocker. It's Monday morning again and Linda is running late; we join her as she struggles to stretch flimsy underwear over her classic curves. That would have been gratification enough for most viewers, but we stick around. Her mother hurries her out of the house; she's missed the bus and has to take the short cut across a patch of waste ground. You can see where this is heading already. Dust all over her smart business suit, in trouble with her mum, etc. etc.
But a gang of predatory young rapists pulls up out of nowhere; Linda gets in a few good blows with her handbag but it's downhill from there.
# Emmanuelle y Carol (Ignacio F. Iquino, Spain, 1978) (featuring Linda Lay as Doris)
Spanish guff about a fashion designer (Raquel Evans) who takes a holiday from her marriage after finding her husband in bed with another man. Carol (Jennifer James) is her secretary, but not a very good one on the evidence of this; the logistics of organising the couplings (and treblings etc.) that follow must have been daunting, yet she seems to do little more than get in the way. I wish it had been called Emmanuelle and Doris, for that is the name of Linda's character. It's always terribly difficult to discover how these people stand in relation to each other with the limited time left for plot exposition after all the bonking has been slotted in, but she seems to be some kind of wealthy lesbian art connaisseur modelling herself on Morticia Addams. Linda has the looks but not the screen presence to carry it off.
The first clip features Linda with Jennifer, an encounter which required a certain amount of organising, none of it on the supposed secretary's part. Notice the painting on the wall behind Linda at the start, and remember what I said about the 'art connaisseur'? Yep, should have been 'tasteless pseud', but never mind. Neither of these women are actually good for anything much then, beyond a traditional 'toying with each other's hair on the sofa to full-on oral in ninety seconds' lesbian scene. They are interrupted by Linda's girlfriend returning home with a man. It looks like these two might be in trouble, but nothing startling comes of it so we'll leave it at that.
The second clip is a threesome with Linda, Jennifer and the girlfriend (Belisa Bet I think she's called). I've left in brief preludes to these scenes, not so much to introduce the characters as to try and get some tips on how to set these things up. Jennifer seems reluctant to take part, surprisingly because we've already established she's both a lesbian and willing to put it about. It seems they finally persuaded her by pretending they only wanted to play at hospitals; she lies there stiff as a board as if being undressed in a mortuary. She's finally dismissed with a curt 'Please get dressed quickly Miss James, we have to get on and do what we nurses call "sixty-nine"'.
Podrías con 5 chicas a la vez? (Ignacio F. Iquino, Spain, 1979) (as Daniela)
Cuarenta años sin sexo (Juan Bosch, Spain, 1979)
Dos pillos y pico (Ignacio F. Iquino, Spain, 1981)
Want more? Mr. Skin has a page for Linda - click here for more of her pics & clips!
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