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A review and pictures of actress Eva Czemerys naked in "Love in a Woman's Prison".
A minor starlet of 'seventies Italian B-movies, her hard features and tall slim figure suiting her well to bad-girl roles.
Eva Czemerys (born 1940 - died 1996) was a German-born film actress, mainly active in Italy. Born in Munich to Russian parents, her family moved to Rome, Italy when she was only 1. She studied acting and debuted as the main actress in 1971 in Bella di giorno moglie di notte. She was a minor starlet in Italian cinema, especially in commedie sexy all'italiana and giallo films. Czemerys retired from showbusiness in the mid-eighties and focused on volunteering. snippet from Wikipedia
Mr. Skin has a page for Eva - click here for more of her pics & clips!
Wife by Night (Nello Rossati, Italy, 1971) (as Paola)
La gatta in calore (Nello Rossati, Italy, 1972) (as Anna)
Mr. Skin may have clips: http://www.mrskin.com/la-gatta-in-calore-nude-scenes-t12423.html
Morbosità (Luigi Russo, Italy, 1972)
L'arma, l'ora, il movente (Francesco Mazzei, Italy, 1972) (as Giulia Pisani)
Poppea... una prostituta al servizio dell'impero (Alfonso Brescia, Italy, 1972) (as Virgin of Cappadocia)
The Senator Likes Women... Despite Appearances and Provided the Nation Doesn't Know (Lucio Fulci, Italy, 1972) (as Fantasy Woman)
Sex After Six (Hubert Frank, West Germany, 1972) (as Evelyn)
Cristiana monaca indemoniata (Sergio Bergonzelli, Italy, 1972) (as Cristiana's mother)
# Love in a Woman's Prison (Rino Di Silvestro, Italy, 1973) (featuring Eva Czemerys as Mother S.)
The good girls are led by heroine Anita Strindberg in this Italian prison drama. Eva is the godmother of the rival 'dorm', so don't be dismayed to see some discreditable behaviour from her early on. Expect her to do petty, unkind things that establish her in a bad light. Such as in this important shower scene. She starts off smoothly enough, her bare bottom filling the top-left of the frame, then the camera panning up to show her back being scrubbed by her favourite girl chum. Nothing but happy moments being shared, but then she has to go and spoil it by whipping that shy girl's knickers down. It's the nearest thing to an act of violence in an uncharacteristically peaceful ablutions session. But watch the frolicking villainess suddenly compose herself as the 'second shift' comes in, ready to lock eyes with arch-rival Strindberg!
The second clip is the obligatory 'fire hose' scene, the mutinous girls in the exercise yard ripping their tunics open to receive the high-pressure blasts direct to their naked breasts. Eva is somewhat peripheral to the action; you can see her tall figure revelling in it to the left of the frame, getting a nice hug into the bargain. I don't know the names of the two ringleaders; what happened to the idea of stamping numbers on the prisoners' outfits to facilitate identification?
Una vita lunga un giorno (Ferdinando Baldi, Italy, 1973) (as Wife of Philippe)
Sedici anni (Tiziano Longo, Italy, 1973) (as Mara)
24 ore... non un minuto di più (Franco Bottari, Italy, 1973) (as Angela)
Il figlio della sepolta viva (Luciano Ercoli, Italy, 1974) (as Giovanna de Cambise)
Juegos de sociedad (José Luis Merino, Spain, 1974) (as Montse)
L'assassino ha riservato nove poltrone (Giuseppe Bennati, Italy, 1974) (as Rebecca Davenant)
Perché si uccide un magistrato (Damiano Damiani, Italy, 1975) (as Sibilla - Amente di Solaris)
Roma drogata: la polizia non può intervenire (Lucio Marcaccini, Italy, 1975)
Fuga dal Bronx (Enzo G. Castellari, Italy, 1983) (as Trash's Mother)
Le feu sous la peau (Gérard Kikoïne, France, 1985) (as Audrey)
Want more? Mr. Skin has a page for Eva - click here for more of her pics & clips!
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