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Reviews and pictures of actress Verónica Miriel naked in "El jovencito Drácula", "Deseo carnal" and "La llamada del sexo".
Born: 1955 Country: Spain
A Spanish starlet whose slim physique and warm open features helped her play roles a litle younger than her years.
Mr. Skin has a page for Verónica - click here for more of her pics & clips!
La dynamite est bonne à boire (France, 1974) (aged 19)
Los inmorales (Alfonso Balcázar, Spain, 1974) (aged 19)
El último proceso en París (José Canalejas, Spain, 1974) (aged 19)
Relación matrimonial y otras cosas (Alberto Vidal, Spain, 1975) (aged 20)
Los hijos de Scaramouche (George Martin, Spain, 1975) (aged 20)
La maldición de la bestia (Miguel Iglesias, Spain, 1975) (as Melody aged 20)
Kilma, Queen of the Amazons (Miguel Iglesias, Spain, 1975) (as Anoé aged 20)
Gatti rossi in un labirinto di vetro (Umberto Lenzi, Italy, 1975) (as Jenny Hamilton aged 20)Mr. Skin may have clips: http://www.mrskin.com/gatti-rossi-in-un-labirinto-di-vetro-nude-scenes-t8052.html
La nueva Marilyn (José Antonio de la Loma, Spain, 1976) (as Verónica aged 21)Mr. Skin may have clips: http://www.mrskin.com/la-nueva-marilyn-nude-scenes-t7924.html
Striptease (Germán Lorente, Spain, 1976) (as Gatita aged 21)Mr. Skin may have clips: http://www.mrskin.com/striptease-nude-scenes-t4269.html
La saga de los Rius S01E05: Episode #1.5 (Pedro Amalio López, 1976) (aged 21)
Las alimañas (Amando de Ossorio, Spain, 1976) (as Jacqueline aged 21)
# El jovencito Drácula (Carlos Benpar, Spain, 1977) (featuring Verónica Miriel as Lucy aged 22) ✭ ✭ ✭ ✭ ✭
with Susana Estrada, Víctor Israel, Marina Ferri, Mir Ferry, Norma Kerr, Dora Santacreu, Juan Fernández, Nuri Giliangli, Tunet Vila, Carlos Benpar, Josep Gimeno Mayol and Jaume Massó
Verónica and girl chum Susana Estrada have been summoned to Dracula's castle in this piece of Spanish modern gothic silliness. Now it's midnight and the solemn chords of an organ are swelling up from the crypts. There's nothing else for it: Verónica has to summon all her pluck, slip on a gown just about ungauzy enough to still pass for virginal, pick up that candelabra and walk. Because even modern girls are still doing that timeless gothic thing (cf. Diana Conca in Sexo sangriento).
I can't help thinking Verónica deserves material much weightier than this nonsense Riccardo Freda pastiche. But anyway, after some misadventures (abridged here) our heroine finds herself laid out bound and naked (but for a sheet) in the undercellars, at the mercy of dark-revealing-robe wearing best friend Susana. And that hunchback sidekick of hers. But hang on who is he anyway; that's not Igor, that's Fred West! Come to smooth-talk her into having the flags of her patio relaid?! Now that really would be a fate worse than death...
Vivir a mil (José Campos, Spain, 1976) (as Susana aged 21)
Deseo (Alfonso Balcázar, Spain, 1976) (as Elena aged 21)Mr. Skin may have clips: http://www.mrskin.com/deseo-girls-t14840.html
Niñas... al salón (Vicente Escrivá, Spain, 1977) (aged 22)
Tengamos la guerra en paz (Eugenio Martín, Spain, 1977) (as Catalina aged 22)Mr. Skin may have clips: http://www.mrskin.com/tengamos-la-guerra-en-paz-girls-t16171.html
La dudosa virilidad de Cristóbal (Juan Bosch, Spain, 1977) (as Trini aged 22)
El despertar de los sentidos (Manuel Esteba, Spain, 1977) (aged 22)
# La llamada del sexo (Tulio Demicheli, Mexico, 1979) (featuring Verónica Miriel as Karin aged 24) ✭ ✭ ✭ ✭ ✭
Tame Mexican erotic drama that opens in such a clichéd manner that by the time it actually starts getting a little intriguing you'll completely have lost track of what was supposed to be going on. Verónica's definitely in it though. She plays some sort of pretty young thing, apple of the eye of veteran actor George Hilton.
The first clip, two early scenes run together, suggests Verónica has hopes of becoming a model. This is based on her shrugging herself free of her encumbering clothing and desporting herself about the swings and garden furniture in such an uninhibited fashion. She reminds me of some of my more outgoing young nieces.
The second clip is more exotic, being a sort of high class amateur strip show for an audience of one. Verónica is playing the role of Little Bo Peep, starting off by closing down her parasol (a nice touch) and moving on from there. Since we've already seen her little dumplings more than once, is there any point showing them off again? I think it's more a matter of showcasing the director actually. Proving he's good for something more sophisticated than just filming juicy starlets skipping across the lawn pretending they're still teenagers with their blouses flapping open.
In the third clip a naked Verónica gets shot dead in the middle of a steamy sex session. If you don't like violence, don't worry, it's all hopelessly unconvincing. I'm not even ruling out the girl turning up alive again later on, it's the sort of film where silly twists like that happen.
Las alegres chicas de 'El Molino' (José Antonio de la Loma, Spain, 1977) (as Verónica aged 22)
¿Y ahora qué, señor fiscal? (León Klimovsky, Mexico, 1977) (as Rosa aged 22)
El maravilloso mundo del sexo (Mariano García, Spain, 1978) (as Chica morena aged 23)Mr. Skin may have clips: http://www.mrskin.com/el-maravilloso-mundo-del-sexo-girls-t17431.html
Borrasca (Miguel Ángel Rivas, Spain, 1978) (aged 23)
# Deseo carnal (Manuel Iglesias, Spain, 1978) (featuring Verónica Miriel as Nori aged 23) ✭ ✭ ✭ ✭ ✭
with Ágata Lys, Tony Fuentes, José Riesgo, Carmen Martínez Sierra, Ramón Centenero, Ángela Reyno, Diana Salcedo, Antonio Almorós, Mari Carmen Alvarado, Antonio Gimbel, Isidro Luengo and Lorenza Martín
Tasteless, inept, but endearingly ludicrous melodrama from Spain in which a young man abandoned as a baby goes in search of his mother. She turns out to be a hefty but glamorous farmer's wife in the Diana Dors mould, and a woman of ominous intent judging by the crashing chords that introduce her on the soundtrack. Every time she walks into a room it's like a grand piano has fallen off the roof. Blimey. Subtlety is not this film's strong point.
Of more interest to us is the daughter of the house, lovely curvaceous apple-cheeked Verónica. Our man's half-sister of course, but they've never met before so who's counting? Currently with a 'steady', I reckon she's only chasing the oaf for his motorbike. I detect a distinct aversion to physical intimacy at the beginning of the first clip, but it only gets the poor girl dumped in the road with the bike roaring off into the distance. Feeling ill-used and with dust up her skirt Verónica considers her options and comes up with a proportionate response: peel off all her clothes and wash herself off naked in the river.
It so happens our handsome young hero has independently had the exact same idea (in his defence I'm prepared to consider he planned to put on swimming trunks before the interruption). Most girls would be a bit spooked seeing a man undressing as she was poised starkers on the riverbank, but not Verónica. It just gives her a rather wicked idea: why not pretend to be drowning? You never know, it might be fun! Meanwhile Mother has ridden up, checking her daughter is keeping out of trouble.
Anyone looking for a sane member of this family will by now be throwing their lot in with Grandma. Bringing a glass of water for Verónica as she anxiously mulls over the day's events she fails to give the girl the required bollocking for smoking naked in bed and goes on to leave her alone with young chappie in just his trousers looking as broad-chested and self-conscious as Peter from Cries and Shadows. Verily the madhouse is complete.
So what's the perfect summer's evening entertainment for a family tired of charades and who don't give a damn what the neighbours think? Why cat-fighting on the lawn of course. After taking a little time to work up the necessary head of steam Verónica and her mother duly go at it hammer and tongs. If the sequence seems a little jerky it's because I've removed the inter-cut scenes of our man packing his bags and leaving.
Río de la muerte (José Ullóa, Mexico, 1979) (as Leticia aged 24)
Perros callejeros II (José Antonio de la Loma, Mexico, 1979) (as Verónica aged 24)Mr. Skin may have clips: http://www.mrskin.com/perros-callejeros-ii-nude-scenes-t3671.html
El día del presidente (Pedro Ruiz, Spain, 1979) (aged 24)
Seven Dangerous Girls (Pedro Lazaga, Spain, 1979) (as Berta aged 24)
Démons de midi (Christian Paureilhe, Spain, 1979) (aged 24)
Juventud sin freno (José Ulloa, Spain, 1979) (aged 24)
Los cántabros (Paul Naschy, Spain, 1980) (as Elia aged 25)
Amigo (Tito Davison, Mexico, 1980) (as Novia de Rudy aged 25)
La amante ingenua (José Ulloa, Spain, 1980) (as Maru aged 25)
Le c... de Marilyne (Jean Luret, Spain, 1980) (as Véronique aged 25)
Un sacco bello (Carlo Verdone, Italy, 1980) (as Marisol aged 25)Mr. Skin may have clips: http://www.mrskin.com/un-sacco-bello-nude-scenes-t11562.html
Una moglie, due amici, quattro amanti (Michele Massimo Tarantini, Italy, 1980) (as Antonella aged 25)
Las mujeres de Jeremías (Ramón Fernández, Mexico, 1981) ✭ ✭ ✭ ✭ ✭ (as Raquel aged 26)
De mica en mica s'omple la pica (Carlos Benpar, Spain, 1984) (as Verónica aged 29)
Want more? Mr. Skin has a page for Verónica - click here for more of her pics & clips!
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