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A review and pictures of actress Fátima Leite naked in "Momentos de Prazer e Agonia".
Born: 1953 Country: Brazil
Dusky skinned and with more than a hint of the East about her, Fátima's delicate almost elfin features couldn't disguise a typically stern and uncompromising manner.
Com Um Grilo na Cama (Gilvan Pereira, Brazil, 1975) (aged 22)
O Trapalhão no Planalto dos Macacos (J.B. Tanko, Brazil, 1976) (aged 23)
Tem Alguém na Minha Cama (Brazil, 1976) (aged 23)
As Massagistas Profissionais (Carlo Mossy, Brazil, 1976) (aged 23)
Os Amores da Pantera (Jece Valadão, Brazil, 1977) (aged 24)
Sexo E Violência em Búzios (Luiz Antônio Piá, Brazil, 1978) (aged 25)
Eu Matei Lúcio Flávio (Antônio Calmon, Brazil, 1979) (aged 26)
A Pantera Nua (Luiz de Miranda Corrêa, Brazil, 1979) (aged 26)
O Bordel - Noites Proibidas (Oswaldo de Oliveira, Brazil, 1980) (as Hortência aged 27)
Sofia e Anita - Deliciosamente Impuras (Carlos Alberto Almeida, Brazil, 1980) (aged 27)
Mulher de Programa (Luiz de Miranda Corrêa, Brazil, 1981) (aged 28)
Mulheres Liberadas (Adnor Pitanga, Brazil, 1982) (aged 29)
Mar do Pecado (Roberto Mauro, Brazil, 1982) (aged 29)
Carnaval das Taras (Roberto Machado, Brazil, 1983) (aged 30)
# Momentos de Prazer e Agonia (Adnor Pitanga, Brazil, 1983) (featuring Fátima Leite aged 30)
with Rossana Ghessa, Anthony Steffen, Fernando Amaral, Helena Andrea, Leila Correia, Marlene Figueiró, Rinaldo Gines, Ismênia Kreis and Marcos Wainberg
An exotic Brazilian giallo about an idyllic rainforest settlement awash with lesbianism and flagrant outdoor sexuality. Fátima (married, lesbian) arrives one day at her friend Rossana Ghessa's (single, lesbian) house with her husband in tow. I do mean literally in tow, for the man is blind, and rather helpless with it. He probably doesn't realise it himself, but he nevertheless has an intimidating expression and physique reminiscent of George 'Anthropophagus' Eastman, and doesn't look at all the sort you play games with. Fátima is a very daring lady however...
It's a cosy evening at Rossana's place, the guests enjoying some easy listening, when Fátima suggests to her husband putting a video on:
- 'Ugh. What kind of video?'
- 'Well, er, maybe a porny one...?'
- 'Ugh. Alright, but keep the volume down, I like this music. I'm going to tap my foot to it.'
So the two ladies get down to it right there on the sitting room floor. It's an audacious trick, and a strangely haunting image.
In the second clip Fátima tries her hand at being a bathing nymph, again with hubbie tagging along. But she really needs a more respectful attitude; I think he's beginning to suspect something's amiss.
That scene was a bit tame, so we'll let the video run and see what happens next. So a blameless young man is walking across the cascade above the bathing pool, not a care in the world, when he spots two completely naked young girls in the water. He happens to gape at them out of the corner of his eye for no more than two seconds I swear (and only then to check it isn't some sort of emergency) but that's enough to lose his footing and tumble headlong drenched at the girls' feet. Now they're going to laugh aren't they? (They always laugh.)
Well yes they do laugh, but it's a cheeky, come-on-chase-me kind of laugh, not the head-thrown-back-mad-cackling-and-pointing (I hate it when they point) kind of laugh he might have feared. And he could even be on here, maybe a threesome is too much to hope for, but I reckon at least one of them is a goer...
A Boca do Prazer (Célio Gonçalves, Brazil, 1984) (aged 31)
Mulheres Insaciáveis (Vital Filho, Brazil, 1984) (aged 31)
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