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Reviews and pictures of actress Raquel Evans naked in "Orgasmo caliente", "Jarretelles roses sur bas noirs", "Las verdes vacaciones de una familia bien", and 4 more titles.
Born: 1956 Country: Chile
A busty, vivacious and unsubtle actress suited to playing the more weather-beaten and mature types, she arrived on the European soft porn scene when it was already well in decline.
Mr. Skin has a page for Raquel - click here for more of her pics & clips!
# El último pecado de la burguesía (Enrique Guevara, Spain, 1978) (featuring Raquel Evans as Esperanza aged 22) ✭ ✭ ✭ ✭ ✭
with Lynn Endersson, David Rocha, Mir Ferry, Nacho Santiagosa, Eva Llorca and José María Santiesteban
In this mildly diverting Spanish nonsense Raquel plays a hitchhiker given a lift by desperate housewife Lynn Endersson; though which woman 'picked up' the other is open to interpretation.
Raquel makes friends with a fisherman, and in the first clip you can see the pair swimming ashore for some bad sex. Well not so much bad as cringeworthy from the voyeur's point of view. Much the same can be said of the following threesome with Lynn, in which the older woman carries the main burden of the nudity.
The third clip is a lot better, though certainly not from the perspective of setting a good example. By which I mean don't let any of your young nieces pick up any ideas from watching this. Early riser Raquel tippytoes from the bed and returns with a jug of cold water to fling on her sleeping soulmates. So now the poor young chap has to chase the 'practical joker' about the bedroom hoping his willy doesn't flop out of his pyjamas. But hang on he isn't wearing any pyjamas - oh crikey!
Instead of cold water Lynn then brings in breakfast for three - a sort of passive-aggressive way of saying how much difference a few years of maturity can make. But as if to prove her reserves of wit are not yet exhausted Raquel then attempts to go shopping naked from the waist down. 'Leave it out Dorothy Parker, cover your arse with this!' rebuffs Lynn wearily.
Una loca extravagancia sexy (Enrique Guevara, Spain, 1978) (as Peggy aged 22)
# Jill (Enrique Guevara, Spain, 1978) (featuring Raquel Evans as Jill aged 22) ✭ ✭ ✭ ✭ ✭
Nicely photographed drama in which Raquel plays an American starlet hoping to make a splash on the beaches of southern Spain. The first thing that strikes you as she romps into the sea without stopping to remove so much as her blouse until she's finally waded clear of the water is, she's not terribly well organised. Nor, to judge by the disdain of the waiter asked to 'deal' with her wringing wet clothes, is she capable of judging the mood of the audience for her attention-grabbing antics. The reason being the absence of her indispensable PA (Mireia Ros), evidently on her day off from the way she sits all the while idly flicking through Cosmo under a sunshade. Viewers familiar with Mireia's own page will know the ways of this cunning young vixen by now.
In the second clip things aren't getting any better. This time Raquel is peeling off to dance in her pants on the table at a dinner party. She ends in the arms of that same waiter. Fancy him you think? Or has the cynic inside her recognised Joe from Tragic Ceremony and thinks she's met a film star at last? Viewers might like to pause the video and guess Mireia's reaction to this little stunt. Another glass of gin in the face? Or a belabouring about the head with a length of metal tubing this time?
You can just picture Mireia's thoughts after Raquel plunges into the pool at the beginning of clip three: 'Well, she's back to square one now isn't she'. But the resourceful girl has the solution: intravenous drugs. However would Raquel manage without this little treasure? Who would towel down her breasts and tuck her up in bed? Who would help her sign important documents relating to her financial affairs when she was too out of her head on powerful opiates to understand them herself?
# Emmanuelle y Carol (Ignacio F. Iquino, Spain, 1978) (featuring Raquel Evans as Emmanuelle aged 22) ✭ ✭ ✭ ✭ ✭
After fashion designer Emmanuelle (Raquel) finds her husband in bed with another man she is at a low ebb. 'I know', pipes up secretary Carol (Jennifer James), 'why don't you go on holiday?!'. She jumps at the inspired suggestion, overlooking the fact that this menial is not entirely disinterested in the decision, faithfully following her boss everywhere.
That night in bed Emmanuelle thinks back to the highlights of her honeymoon. She being a liberated woman, her handsome husband, after a few questions about what she thinks she's wearing with her wooly jumper on such a chilly day ('The lady in the shop said they were hiking shorts' she answers a little defensively), soon finds himself flat on his back. Carol walks in to find her mistress slitching herself senseless at the memory, deaf and blind to the world. The last time this happened she just did the time-honoured thing and left the mug of steaming hot tea on the bedside table ... only to get black looks for weeks. This time she tries a change of tack...
For the people watching at home, take some advice to heart: this will never happen to you. So always bolt the door and turn off the light. Oh, and keep your pyjama jacket buttoned up too. Because if someone comes in they will not leave you to open your eyes and wonder how all those lipstick marks came to be around your private parts. But it's a nice little fantasy anyway.
By the second clip Emmanuelle is really getting into the swing of things holiday-wise. But body-painting is not much fun on your own, so enter millionairess art-loving playgirl Linda Lay and girlfriend: 'This new design is the latest thing in Barcelona' she smiles, inking a satanic symbol on her forehead (she's a handsome girl, but I never did trust her). Now should Emmanuelle follow this up by injecting herself with the contents of that syringe she's been waving around, or is she giggly enough already? Well it's just another case of Chekhov's gun isn't it? She and Carol end up streaking down the fairway of the fourteenth hole before collapsing in a pile of hugs and kisses. This sort of thing is very difficult to keep out of the papers.
In clip number three common sense reasserts itself. Emmanuelle has cleaned off all that muck in a hot bubble bath, and Carol is at hand with the usual routine: sponge, rinse, hug ... and 'sixty-nine' on the carpet. The action never gets quite as graphic as it promises, but the scene is still pretty intense.
Cariño mío, ¿qué me has hecho? (Enrique Guevara, Spain, 1979) (as Laura aged 23)
Podrías con 5 chicas a la vez? (Ignacio F. Iquino, Spain, 1979) (as Carol aged 23)
La basura está en el ático (Ignacio F. Iquino, Spain, 1979) (as Liliana aged 23)
La muchacha de las bragas de oro (Vicente Aranda, Spain, 1980) (as Mari-La madre de Mariana aged 24)
# Las verdes vacaciones de una familia bien (Mario Siciliano, Spain, 1980) (featuring Raquel Evans as Ruth aged 24) ✭ ✭ ✭ ✭ ✭
Tacky soft porn in which Raquel plays the lady of a house whose occupants are too busy with sexual exhibitionism and nymphomania to walk their poor neglected dog. We open with Raquel on the phone doing a jolly little dance in her skimpy robe. It keeps her happy even if any casual onlooker might suspect she didn't understand how the apparatus worked.
Moving on, Raquel scampers around the garden naked, picking up house guest Karin Well along the way. Just as we're thinking she's found a more wholesome way to get some air to it she lowers the tone again by setting up a 'threesome' under the guise of relaxing with her girl chum in the shade of the cherry tree. Said threesome is over before it's hardly even started when Karin stalks out. 'I hold you partially responsible for this' Raquel is scolded by one more sad-faced puppy not going to get his walkies.
Linda (Jesús Franco, Spain, 1981) (as Sheila the Club Manager aged 25)Mr. Skin may have clips: http://www.mrskin.com/linda-nude-scenes-t13569.html
# Jarretelles roses sur bas noirs (Gérard Loubeau, France, 1981) (featuring Raquel Evans as Madre de Sybille aged 25) ✭ ✭ ✭ ✭ ✭
Raquel gets to queen it as the lady of an isolated country house in this sado-voyeuristic Franco-Spanish thriller. Quite a shabby, almost dilapidated house I couldn't help noticing, and not one a lady of her station would believably occupy. But as a base of operations for a group of trash filmmakers evidently it was ideal.
Isa Kara plays her lady's maid, a rather plain colonial import, new on the job and unsure as yet of the scope of her duties. Hence plenty of opportunities for imposture by an employer of mild lesbian tendencies every time she feels just a little bit 'frisky'. 'I know, I'll pretend to show her where the bikinis are kept' is Raquel's bright idea for today. 'Wait, let me show you how to put these things on' she continues, making a gentle play for the collar of the girl's frock. Duly Lady Muck gets a right eyeful and looks well pleased with herself for making the most of an afternoon that would otherwise have been spent alone in the house.
The idea of going outdoors to swim is exposed as a blind when the women are confronted by the unavoidable fact that not only is it still midwinter but the pool is neglected to the state of murky-watered dereliction. So they retire to what looks like the lumber room to practise acts of lesbianism which are so generic and dull I'm going to ignore them and pretend they're still at the cosy-chat-and-hand-on-the-knee stage of female friendship, which is where we find them in the second clip.
The naïve maid answers the door to an armed twosome holding a pair of girls, the blonde one being Eva Lyberten. Another girl about to be mixed up in all this bad feeling is Berta Cabré, Raquel's daughter if the synopsis is to be believed. With the negligible difference in ages Raquel might be entitled to consider this a bit of a cheek, though she could as easily take it as a compliment to her maturity and dignity of bearing.
Alas, these are the qualities about to take a hammering as the thugs order Raquel to strip. No wait a minute, why not order the maid to strip the lady instead? Clearly it's the better idea. I liked the brave way she refused to cover her private parts, but nevertheless couldn't help her hands clutching half into fists as her clothes were slowly removed. And a touch of anxious self-consciousness can also be seen in her movements as she carefully steps out of her knickers. But relax, she gets off lightly in the end so we'll take our leave of things there.
Objetivo: sexo (Jordi Cadena, Spain, 1981) (aged 25)
# Orgasmo caliente (Enrique Guevara, Spain, 1981) (featuring Raquel Evans as Mary Simpson aged 25) ✭ ✭ ✭ ✭ ✭
Wise viewers might be left tut-tutting as they follow young free and single Raquel on her holiday in Tunisia. She makes so many poor decisions it's as if she's following the script of a porn film. I'm going to change the order of events a little so no one is face-palming so much they miss the best bits.
So how should an independent soul spend her first afternoon in the south Med then? How about by dragging a busty but naïve young lass (Jazmine Venturini) back to her hotel room and explaining they both must take a bath immediately? As soon as she's naked, smile sweetly and kiss. The plan is flawless. In the interests of viewer identification a greasy foreign type joins them to be the filling in a soaped-up boob sandwich.
Raquel's persistent foolhardiness in poking her nose where it's not wanted has got both girls kidnapped and inducted into a harem. The Sheik's right-hand woman is short-tempered no-nonsense Lynn Endersson; frighteningly the pair are her joint favourites. They hatch a plan to run away. It fails, partly because Jazmine doesn't have the physique for running, but mostly because Raquel simply doesn't know how to prioritise: as soon as they spy a large body of water she insists they splash about in it hugging and getting their ankle-length garments soaking wet.
By this time I swear Raquel's doing this on purpose; her sheepish look when her little diversion gets them both re-captured is the give-away. Why? Despite Mistress Endersson being a bit of a bag, a woman of Raquel's temperament probably reckons being stripped and tortured by this woman is a pretty neat idea. Poor Jazmine doesn't get a say in this, despite having the worst of things, tied up and having her pubic hair set on fire with a candle. But if Raquel thinks being lead actress puts her above the indignity of having her own pubes ignited too she needs to think again...
Bacanales romanas (Jaime J. Puig, Spain, 1982) ✭ ✭ ✭ ✭ ✭ (as Mesalina aged 26)
Sha shou ying (John Liu, Spain, 1982) (as Gisete aged 26)
La seta ibérica (Enrique Jiménez Pereira, Spain, 1982) (as Alejandra aged 26)
Catherine Chérie (Jaime Jesús Balcázar, West Germany, 1982) (as Nora aged 26)
Una virgen para Calígula (Jaime J. Puig, Spain, 1982) (as Gran Sacerdotisa aged 26)
# Porno: Situación límite (Manuel Esteba, Spain, 1982) (featuring Raquel Evans as Mónica aged 26) ✭ ✭ ✭ ✭ ✭
Raquel is the impressively elegant (and handsomely-bespectacled) secretary of a smooth-tongued sliver-haired executive in this trashy Spanish thriller. But typically, the moment the two of them are shut in a hotel room together - she all poised to take dictation - nothing but the most lurid propositions come out of the slimeball's mouth. He's probably a high-up in the Department for Work and Pensions or something, well practised in getting a girl to do anything he wants just by threatening to cut off her sick mother's Personal Independence Payments.
This sleazy exhibit takes off Raquel's glasses first the fool. I blame the director; when will these types learn you leave the specs till last? Nor are the rest of her clothes removed in strictly the correct order. Raquel is of the school of thought that believes the only hope of maintaining any dignity in such situations is to remain as stiff as a statue, allowing oneself to shed a single tear at most.
Her torments are ended for the moment when a masked man bursts in with a sub-machine gun. Bundled down to the lobby she has to repeat her ordeal in front of other half-naked guests, but it's only a shadow of what we've seen before. She's eventually led off camera, fully clothed but gently sobbing, in the arms of Eva Lyberten and Concha Valero.
El lío de papá (Miguel Iglesias, Spain, 1985) (as María aged 29)
Bacanales romanas, II Parte (Jaime J. Puig, Spain, 1985) (aged 29)
Los nuevos curanderos (Isabel Mulá, Spain, 1986) (as Brígida aged 30)
Andalucía chica (José Ulloa, Spain, 1988) (as Mirta aged 32)
Sogno proibito (Vincenzo Salviani, Italy, 1988) (aged 32)
La diputada (Javier Aguirre, Spain, 1988) (as Norma aged 32)
Historias de la puta mili (Manel Esteban, Spain, 1994) (as Marisa aged 38)
Want more? Mr. Skin has a page for Raquel - click here for more of her pics & clips!
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