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Reviews and pictures of actress Chantal Arondel naked in "Club privé pour couples avertis" and "Le sexe nu".
Shapely and elegant French redhead.
Les confidences érotiques d'un lit trop accueillant (Michel Lemoine, France, 1973)
# Le sexe nu (José Bénazéraf, France, 1973) (featuring Chantal Arondel as La femme légitime) ✭ ✭ ✭ ✭ ✭
Chantal plays our shady hero's wife in this French portmanteau. The couple are off on their honeymoon aboard the Orient Express. In this (heavily cut-down) scene we watch as our man dutifully 'does his bit', following up with a more traditional consummation of the style that might be used in a television commercial. Only one slight hitch: lesbians in the next compartment. Seriously, that must be an incredible distraction when you're doing your best to 'perform'.
Next up Chantal encounters a bossy cross-dressing woman in the ladies' 'loo'. It reminds me of Eddie and that lady at the honeymoon hotel in Wolverhampton: think what might have been. The scene runs on to catch a quick glimpse of Chantal queening it naked at a very Pre-Raphaelite soirée.
...et mourir de désir (Jean Bastia, France, 1974)
Le journal érotique d'un bûcheron (Jean-Marie Pallardy, France, 1974)
# Club privé pour couples avertis (Max Pécas, France, 1974) (featuring Chantal Arondel as Lise) ✭ ✭ ✭ ✭ ✭
with Anne Libert, Philippe Gasté, Denyse Roland, Michel Vocoret, Henri Serre, Gilda Arancio, Liliane Ponzio, Anne Kerylen, Christophe Alberola, Guy Piérauld, Roland Charbaux and Claude Villaret
An elegantly photographed collection of vignettes themed around the most exclusive swingers' club in Paris.
We join Chantal as she soaks in the bath. Enter a Frenchman who starts slapping her around and ducking her head under the water. I don't mind so much when a lesbian does this (especially if she's wearing a uniform to back up her authority) but a grown man just comes across as a cad. The impression is reinforced when he takes his hoggins in the manner that was around this era first being labelled as 'inconsiderate'.
Some sort of explanation / conciliation is forthcoming, but rather than bother with that we'll take a look at what set it all off in the first place. Chummy was relaxing with a couple of beauties of loose morals when suddenly the star of the Arabian-themed video they were watching was revealed to be Chantal, his first wife (or something).
Anatomie d'un meurtre (José Bénazéraf, France, 1986)
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