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Reviews and pictures of actress Martine Azencot naked in "Les confidences érotiques d'un lit trop accueillant" and "Les week-ends maléfiques du Comte Zaroff".
Born: 1954 Country: France
A minor blonde French starlet notable for her creamy skin and well-rounded breasts.
# Les confidences érotiques d'un lit trop accueillant (Michel Lemoine, France, 1973) (featuring Martine Azencot as Irène aged 19) ✭ ✭ ✭ ✭ ✭
with Chantal Arondel, Nathalie Zeiger, Marie Hélène Règne, Monique Vita, Magda Mundari, Bunny Godillot, Anne Libert, Olga Georges-Picot, Michel Le Royer, Janine Reynaud, Marie-Georges Pascal and Emilie Mathis
Martine and girl friend Olga Georges-Picot are staying with friends at a farm house for the night. Having enjoyed a glass of wine with their hosts in front of a roaring fire the pair take themselves off to bed. Anyone who has ever had young nieces to stay will know that as the cue for a near riot, and will be shaking their heads at the naïveté of the lady of the house who timidly suggests the girls might like to sit quietly and leaf through a nice book instead.
The book makes all the difference: it's the Kama Sutra. And the lady is accompanied by the director of the actual film doing his lonely puppy act again (don't let him sleep on the foot of the bed, you'll spoil him). Poor Olga is pushed to one side in all this, despite a few hopeful glances at the older woman as she moves in to make it a threesome. She's left to leaf alone through the dirty pictures in the forlorn hope of finding a foursome in there as well.
The Adulteress (Christian Lara, France, 1973) (as Une fille chez Sophie aged 19)
Les petites saintes y touchent (Michel Lemoine, France, 1974) (as Chantal aged 20)
Bisexual (Eric Lipmann, France, 1975) (as Françoise aged 21)
# Les week-ends maléfiques du Comte Zaroff (Michel Lemoine, France, 1975) (featuring Martine Azencot as Joëlle aged 21) ✭ ✭ ✭ ✭ ✭
Count Zaroff continues his habit of plying solitary young women with sweet words and champagne only to open the floodgates of sadistic abuse minutes later. It's something of a 'mother's boy' behavioural pattern this; I don't think the mysterious beauty who briefly appears in the clip is actually his mother, though she's some sort of matriarchal figure anyway.
To get back to the point, the Count is interviewing a new secretary (it means staying overnight of course), and has provided her with the kind of magnificent room and exotic outfits she could only dream of until now (I wanted to show the groovy 'seventies patterns and colour schemes she was adorned with beforehand but the video was long enough already). Needless to say the room is equipped with two-way mirrors, and Martine's champagne has been spiked to help the Count's remarkable sweet-talk take effect. She's supposed to be dressing for dinner, but is soon engrossed in a long and steamy session of narcissistic naked frottage with a blue feather boa ('Miss Joëlle is taking a long time, do you think she's alright?').
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