|Home||Starlets A to Z||By country||Films by title||Search||Film reviews|
20 July 2021
20 July 2021
12 July 2021
9 July 2021
7 July 2021
Starlutz celebrity database
Welcome to a database of celebrity nude and sexy scenes. Here you will find many clips you have never seen before. Mostly they are taken from films of thirty years ago or more, when nude scenes in films and TV were guilt-free and plentiful. The criteria for inclusion are personal and hence extremely vague. As a guide, those clips that stand out as original or funny are favoured. This means you are more likely to find obscure actresses from unfashionable countries such as Brazil or East Germany here rather than famous Hollywood stars.
The nude clips are mostly taken from versions of films found in various places on the internet. Often the image quality is poor, but that's not the point. Seeing actresses, favourites and unknowns, unclothed in unusual and amusing situations is what this site is all about.
Updated 20 July 2021 Cristina Galbó
La amante ingenua (José Ulloa, 1980) (featuring Cristina Galbó as Marisa aged 30) ✭ ✭ ✭ ✭ ✭
with Verónica Miriel, Alberto de Mendoza, Tony Isbert, Silvia Solar, Joaquín Blanco, Luis Induni, Juan Fernández, Juan Torres, África Mir, Jaime Ros, Glòria Martí and Gaspar 'Indio' González
Horribly cheap and wooden Spanish dystopian crime melodrama in which lovely secretary Cristina accompanies her middle-aged pen-pushing boss on a dirty weekend in France. Sadly she gives a poor account of herself: smoking, getting drunk, even crashing the car.
This evening she tries the patience of her distinguished-handsome beau by drinking too much at dinner. Hauling the tired and emotional girl (or rather woman - time and career have moved on) up to their shared hotel room this poor man's only consolation is that this is a romantic escapade and not an important business trip. Before she can slip her pert and tiny breasts any further out of her evening dress (he's afraid there may be more than two) our man takes charge. Dashing for his emergency medical bag he pulls out a stethoscope - the least you can do for an unwell Cristina short of bothering an actual hospital. Only it isn't a stethoscope, just more drink to poor down her throat. It's amazing how quickly you can go off some people.
The story moves on, and we discover Cristina absolutely slumming it in the bath. The doorbell rings, so naturally she has to haul herself out of the tub, fairly modestly, not even pausing to rinse off the soapsuds. The young man at the door is none other than Bill from Tragic Ceremony, Spanish cinema's greatest crybaby. So the beating he hands out to Cristina (something about blackmail over photographs I think) is not only squalid and ridiculous but unconvincing too. It's hard to think of a comparison - maybe being bog-flushed by Justin Bennett from Grange Hill. He only won because characterisation demanded Cristina enjoy being raped.
Mr. Skin has a page for Cristina Galbó - click here for more of her pics & clips!
· · ·
Updated 20 July 2021 Verónica Miriel
La amante ingenua (José Ulloa, 1980) (featuring Verónica Miriel as Maru aged 25) ✭ ✭ ✭ ✭ ✭
with Cristina Galbó, Alberto de Mendoza, Tony Isbert, Silvia Solar, Joaquín Blanco, Luis Induni, Juan Fernández, Juan Torres, África Mir, Jaime Ros, Glòria Martí and Gaspar 'Indio' González
Verónica makes the most of a small part as a gangsters' moll in this shabby Spanish crime drama.
When Cristina Galbó discovers the cheery girl sunbathing in only a g-string on the balcony she must think she's stumbled on rehearsals for the yacht scene in Tragic Ceremony. Only time has moved on, at least to the extent of Bill having taken charge of the guitar.
Verónica's main job is to pose for glamour photos. We join her in the studio perching bare-bottomed upon a great big motorbike for a brief but spectacular shot. There's a bonus appearance from a black girl in a bathtub; I'm not sure what she said at the end but I'm almost certain she had a point.
Mr. Skin has a page for Verónica Miriel - click here for more of her pics & clips!
· · ·
Updated 12 July 2021 Mercedes Carreño
La choca (Emilio Fernández, 1974) (featuring Mercedes Carreño as Flor aged 27) ✭ ✭ ✭ ✭ ✭
with Pilar Pellicer, Gregorio Casal, Armando Silvestre, Salvador Sánchez, Juanito Guerra Arellano and Chano Urueta
Steamy jungle-set Mexican drama in which Mercedes' principal functions are to splash in the river and have no knickers on. A stock character, but a good one (cf. Fátima Antunes in Caçada Sangrenta).
Early on we meet Mercedes as a Japanese soldier still fighting the Second World War spies her displaying the first of her skillset. You can tell how much a problem a girl has with exhibitionism by the distance she runs before putting any clothes on when spooked in the nude. Far enough to set the dogs barking in this case.
Mercedes lives with older, wiser (more cynical, vicious etc.) woman Pilar Pellicer (it's seldom worthwhile distinguishing the purported relationships between characters like this), a magnet for the worst kind of man. One of whom attempts to rape the girl when she bends down in an admittedly enticing way. She eventually surrenders herself to the man who patiently watches before solving her problem with his rifle butt. Afterwards, significantly, she puts on a natty red dress - there's a cheeky coda attached to show how much use that was.
· · ·
Updated 9 July 2021 Ilona Staller
Voglia di donna (Franco Bottari, 1978) (featuring Ilona Staller as Cicciolina aged 27) ✭ ✭ ✭ ✭ ✭
Seductive Illona grapples with one of the usual young male idiots (cf. Malabestia) in this typical Italian comedy. A mad scientist magics her out of a special television set apparently.
Mr. Skin has a page for Ilona Staller - click here for more of her pics & clips!
· · ·
Updated 7 July 2021 Laura Gemser
Velluto nero (Brunello Rondi, 1976) (featuring Laura Gemser as Laura aged 26) ✭ ✭ ✭ ✭ ✭
Travelogue-style pretension set in Egypt. Model Laura's photographer lover is an unsatisfactory sort who likes to pose her semi-naked amongst piles of corpses. And afterwards he drapes her in his jacket and beats her up, still less of a thing to be proud of (Laura is quite skinny so this is relatively easy to do). I envy Laura having a brave little chum like Annie Belle to take her side on these occasions.
Obviously this pair make lesbian love together at one point, but it's too anodyne to bother with. Instead we'll continue with the "transgressive" theme and join the whole gang at a party (that's Ziggy Zanger in the stupid wig). Laura is hypnotised into taking her top off. Given that she would have happily done this anyway (her inherent good nature and desire to please etc.) there must be something more to follow, and indeed there is. Laura takes up a ceremonial dagger and sacrifices a goat. Who knows where things would have ended if little Annie hadn't intervened. I take back the "brave" remark - this girl's a wet blanket.
The film has a happy ending: Laura and Annie gayly toss aside their clothing and walk off naked into the desert together holding hands. A truly heartwarming escapade, if a little short-sighted. I wonder what happened to them?
Mr. Skin has a page for Laura Gemser - click here for more of her pics & clips!
· · ·
Updated 5 July 2021 Isela Vega
La India (Rogelio A. González, 1976) (featuring Isela Vega as La India aged 37) ✭ ✭ ✭ ✭ ✭
with Anaís de Melo, Jorge Martínez de Hoyos, Mario Almada, Jaime Moreno, Lilia Prado, Sonia Cavazos, Gastón Melo, Juan Carlos Legorreta, Luis Fabián, Pascual García Peña, Carlos Bravo y Fernández and Julio Alejandro Lobato
Overheated Mexican piece starring Isela as a sultry Indian vagabond lusted over by her illegitimate son.
The film opens with a scene of Isela being shot to death by the little boy after she threw him out of their shack so she might passionately service an older man. Only fantasy, though it would have saved the lad a lot of tortured hairy-handed longings later on, as we shall see.
The boy spies on Isela bathing naked at the river with the other women, and doing her laundry with her skirts rolled all the way up her thighs. Which is fine when you're only eight, but then he spoils it by letting his obsession carry on throughout his youth into early adulthood. Doing him no good at all, though the vivid imagery is easy to appreciate for ourselves viewing from a safe distance.
Mr. Skin has a page for Isela Vega - click here for more of her pics & clips!
· · ·
Updated 2 July 2021 Katalin Gyöngyössy
Defekt (Lajos Fazekas, 1985) (featuring Katalin Gyöngyössy aged 45) ✭ ✭ ✭ ✭ ✭
with László Márkus, András Kern, Gyula Szabó, Gábor Kiss, György Kézdy, Gábor Nagy, Imre Sarlai, Pál Beszterczei, Attila Geréb, Lajos Nádasdy and Imre Szabó
Intense but knowing Psycho-inspired Hungarian giallo. Katalin's Trabant breaks down in a rainstorm one night. Happily a man is on hand to give her a lift to his home where she can change her wet clothes...
· · ·
Updated 1 July 2021 Andrea Albani
Héctor, el estigma del miedo (Carlos Pérez Ferré, 1984) (featuring Andrea Albani as Nuria aged 24) ✭ ✭ ✭ ✭ ✭
with Ovidi Montllor, Juli Mira, Aldo Sambrell, Roberto Sansilvestre, Rosario Guillén, Paqui Gandía, Esteban Dura, Amparo Albors, Enrique Soler, Jorge R. Jordà, Pepe Sempere and Quico Carbonell
Spanish psychological horror about a simple peasant farmer being driven off his land by his neighbours waging a campaign of terror.
Andrea has just caught our man in a compromising position while he was supposed to be milking the goat. Naturally she gives him one of her tolerant smiles and peels off her clothes to offer a more enticing alternative. She's a sophisticated young lady of leisure incidentally and no simple milkmaid, hence her having the poor taste to do this other than in her bare feet. Later she also briefly appears naked in a "hallucination".
Mr. Skin has a page for Andrea Albani - click here for more of her pics & clips!
· · ·
Updated 30 June 2021 Mercedes Carreño
La sangre enemiga (Rogelio A. González, 1971) (featuring Mercedes Carreño as Sara aged 24) ✭ ✭ ✭ ✭ ✭
with David Reynoso, Juan Miranda, Magda Guzmán, Carlos Ancira, Emilio Fernández, Eric del Castillo, David Povall, Letícia Robles, Aurora Alonso, Bertha Llergo, Adolfo Magalot and Inés Murillo
Mercedes is one of a troupe of strolling players eking out a living in Mexico City. Domesticity is a tumbledown shack alongside a grizzled hunchback who's perpetually being summoned to knife fights at all hours while she's left to shiver under a threadbare blanket without even benefit of night attire.
Surely a nerve-jangling mode of existence, but she seems used to it. When the hunchback returns after slashing a man to death and dumping the body head-first down a privy then collapses head-first weeping between her breasts she just turns over and goes back to sleep.
Being on the stage Mercedes has no time for bashfulness when changing her costume and doing her makeup. As if that wasn't enough, her street shows are typically interrupted by torrential downpours necessitating yet further changes of clothing. I don't know what's wrong with the hunchback getting all out of his comfort zone like that; there are few things nicer than watching a young woman take off her wet things.
I never did work out the relationship between Mercedes and the hunchback; the whole thing is such overheated melodrama the research surely wouldn't repay the effort. Anyway, this girl likes to put it about a bit, hence the short scene of her getting kicked out of bed by a handsome but unsophisticated young barman.
There's a more extreme example of Mercedes choosing her men from the neck down in the fourth clip. Her neighbour is a bear tamer without the cognitive facilities to have read the books where it says that playful biting and scratching can add enjoyable spice to lovemaking. The simpleton just thinks he's dealing with another wild animal. With persistence our girl puts him right, to the appropriate degree.
With all this excitement going on in her waking existence Mercedes must be in perpetual fear of what tormenting extremes of conscious perception await her if she was ever to fall into delirium. Luckily the filmmakers' lack of imagination limits her worries in this regard, as seen in the final clip. The worst that lies in store for her is a lesbian kiss apparently. And lesbian kisses aren't even bad, not even for a woman.
· · ·
Updated 25 June 2021 Teri Tordai
A gyáva (Imre Mihályfi, Hungary, 1971) (featuring Teri Tordai as Éva aged 30) ✭ ✭ ✭ ✭ ✭
with Péter Huszti, Ferenc Kállai, György Kálmán, Tibor Bodor, László Bánhidi, István Dégi, Mária Goór Nagy, György Györffy, László György, Gyula Horváth, József Horváth and Károly Kovács
Hungarian melodrama starring Teri as the pampered trophy wife and muse of a successful sculptor.
Our portly hero drags Teri straight from tea on the lawn in to his studio with boyish enthusiasm. Showing no less enthusiasm herself Teri has cast aside her gown and slippers before the man has time to wrestle the curtains closed.
It's when we first see what a hash maitre has so far made of fashioning his goddess in clay that our hearts begin to sink. He must be avant garde or something. I think the thing he seats upon her brow must be intended for a halo. Because only a saint would put up with standing naked in a draughty studio with what she now realises is a fruit bowl on her head for as long as half a minute before walking out to find another man.
Said other man is the standard younger, poorer model. But not too poor as to be without his own modest country cottage and garden. And not too green to be able to deal with the wiles of a woman like Teri. He manages to head her off naked at the french windows one fine morning, alerted by the dogs barking. Suitably attired in one of his shirts she settles down to breakfast.
Mr. Skin has a page for Teri Tordai - click here for more of her pics & clips!
23 June 2021 Sirpa Lane in 'La jeune fille assassinée'
21 June 2021 Magdalena Zawadzka in 'Mazepa'
18 June 2021 Ítala Nandi in 'O Homem do Pau-Brasil'
16 June 2021 Solvi Stubing in 'Die liebestollen Baronessen'
14 June 2021 Dora Pellegrino in 'O Homem do Pau-Brasil'
|Home||Starlets A to Z||By country||Films by title||Search||Film reviews|